A Quote by Herm Edwards

If you draft a player to be a backup, why did you draft him? You're drafting a guy because you think he's worthy of being drafted at that spot, but you're also drafting him because you think he can compete. If you're going to say, 'This guy's a backup,' - really? That doesn't make any sense to me.
One of the reasons why I had such a horrible draft is that I hosted an eight-hour pool party before the draft. and so I wasn't quite in my perfect drafting form.
I always went school with a backup plan. Everything I did was a backup plan because I never was the most talented guy. I wasn't, you know, the superstar at all.
Writing 'Men We Reaped' broke me in different ways at different spots in the drafting process. The first draft was hard because I was just getting it out. In some ways, that draft failed. I was really just telling the story, not making assessments - this happened, then this. Just putting those facts down on paper was really painful.
I feel like whatever team drafts me I'd fit into because they're going to get the best receiver in the draft. Regardless of if they really need a receiver early or not, the way I'm going to come in and work, they're going to get the guy they hoped they drafted and be excited about it.
I have to buy three of everything. It doesn't make any sense, but I have to. I'm worried I might lose it, and if I lose it, then I have a backup and then I have a backup to my backup.
Any team that's drafting me, you're going to get the same person. You're going to get a competitor, a guy who's passionate about the game and, even though I'm a rookie, a guy who will try to be a leader to the best of my ability.
Kimbo Slice the man, you watch the YouTube videos of this guy in backyards, and they start fighting and you think this guy's a thug. You think he's a bad guy, you have this perception of him and then you meet him, it isn't true. It's the exact opposite. He's a really good guy.
I always think that's really lazy, when I'm watching a TV show or a movie or something, and there's a flashback and the idea is, 'This one moment is the reason that everything happened. This character saw this guy, and this guy said this thing to him, and that's why he is this way.' Because I think in real life, it's not so one-to-one.
I'm OK with having a really good football player with a chip on his shoulder because he's going to come to prove to not only the people that didn't draft him, but himself, that I'm a pretty good football player.
The longer I write, the more important I believe it is to write the first draft as fast as possible. In drafting, I push myself so I am at the edge of discomfort...Later, it will be time for consideration and reconsideration, slow, careful revision and editing. But on the first draft I have to achieve velocity, just as you do if you want the bike to balance.
I revise a lot while I'm drafting, often going back to the beginning again and again to revise because I've changed massive things about the story. By the time I get to the end of a first draft, I've been through the beginning lots of times.
I see myself as the No. 1 player in the draft, but it is what it is. You can just take it day-by-day, put in the work, and the draft is going to be the outcome of whatever the draft is.
When I am tired, it is easy to say I need a backup - and if that only happens every three months, it's not ideal and also difficult for Mr. Backup.
I don't think you think of your audience as much as you think, when you're revising, how it holds together. I mean I think the first draft is art, and the second draft, third, fourth draft is craft. Putting it together so that it has a good pattern.
I feel really lucky to have been able to not only have him as a brother - because I love him and he's such a smart guy and an interesting, fun guy - but also have a friend to go through and chart and navigate the waters of Hollywood, which can be kind of alienating and lonely at times just because everyone is always... you know what it's like.
If you watch a guy go out on court and have a meltdown, you're not going to think, 'Oh my God, now I'm screwed.' Or you're not going to think, 'The umpire's going to give him calls because he's just told him he's an idiot or the pits of the world.'
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