A Quote by Herman Melville
War being the greatest of evils, all its accessories necessarily partake of the same character.
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Of all evils of war the greatest is the purely spiritual evil: the hatred, the injustice, the repudiation of truth, the artificial conflict.
A defeat in war is not the greatest of all evils; but when the defeat has been inflicted by enemies who are not worthy of you, then the calamity is doubled.
Being nice doesn't necessarily mean you're weak. You can be nice and be strong at the same time. That's a character trait that we need more in Washington.
God is utterly simple; for every composite being necessarily has a cause of its own composition, and so, since God is the first principle of all things, there can be no real composition whatever in God. Now, in an utterly simple being there can be nothing that is not that simple being itself. In God, therefore, whatever really is, is the same as God, is the same as that which is, is the same as that which subsists, and hence necessarily subsists.
The greatest evils, are from within us; and from ourselves also we must look for the greatest good.
My life isn't always at risk, even if I'm in a war zone. A lot of these places have areas of calm, so covering war doesn't necessarily mean being shot at all the time.
My character in 'Fanaah' has a cool and crazy look at the same time. I'm very particular about my accessories and clothes and love discussing and working on the look with the team. We all work on it together and gather loads of references.
No one knows whether death may not be the greatest of all blessings for a man, yet men fear it as if they knew it was the greatest of evils.
You definitely care about your character because you wear it and you're associated to it by all means and I love the change and spontaneity. At the same time, you know, acting is a profession and you realize that this character is not necessarily your property.
The power of declaring war being with the Legislature, the Executive should do nothing necessarily committing them to decide for war in preference of non-intercourse, which will be preferred by a great many.
The charge of being ambiguous and indefinite may be brought against every human composition, and necessarily arises from the imperfection of language. Perhaps no two men will express the same sentiment in the same manner and by the same words; neither do they connect precisely the same ideas with the same words.
I always say that, like a scientist or anyone, you always want to be the problem-solver. You feel like, if you solve the greatest mystery or the greatest problem, then that makes you brilliant. It's the same thing with an actress. You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny and all the things that a person could be.
Here's an easy way to see if a war movie is being truthful: If you see an explosion on a faraway hillside and the sound of the explosion and the detonation of the bomb happen at the same time - if they're putting the sound and the vision together in the same moment - they're going toward our cultural understanding of war, not the reality of war.
The answer to the problem of evil does not lie in trying to establish its point of origin, for that is simply not revealed to us. Rather, in the moment of the cross, it becomes clear that evil is utterly subverted for good.... If God can take the greatest of evils and turn them for the greatest of goods, then how much more can he take the lesser evils which litter human history, from individual tragedies to international disasters, and turn them to his good purpose as well.
Once we allow ourselves to do evil so that some perceived good may follow, we allow ever greater evils for the sake of ever more questionable goods, until we consent to the greatest evils for the sake of mere trifles.
I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves.
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