A Quote by Herman Melville
In metropolitan cases, the love of the most single-eyed lover, almost invariably, is nothing more than the ultimate settling of innumerable wandering glances upon some one specific object.
Related Quotes
Pleasure and pain at once register upon the lover, inasmuch as the desirability of the love object derives, in part, from its lack. To whom is it lacking? To the lover. If we follow the trajectory of eros we consistently find it tracing out this same route: it moves out from the lover toward the beloved, then ricochets back to the lover himself and the hole in him, unnoticed before. Who is the subject of most love poems? Not the beloved. It is that hole.
Fortunately, most of my friends in comedy that smoke pot are almost as open about it as I am, and in some cases more so. But most that appear, it's more about friendship with me than making some statement about pot. I'm sure those of my friends who are onscreen smoking might have a little regret, but there's not too much of it.
Toska - noun /?t?-sk?/ - Russian word roughly translated as sadness, melancholia, lugubriousness. "No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.
Love is the most universal experience. There is nothing more important than love, there is nothing more meaningful than love, and there is nothing more human in people's relationships than love.
Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, whichat the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination.
Nothing is more maddening than being questioned by the object of one's interest about the object of hers, should that object not be you.
Don't get me wrong: I'm a sucker for weddings. I'll get misty-eyed watching the union of two perfect strangers. But in some cases - and I need to stress some cases - I feel like we're getting blindsided by the spectacle of it all.
The lowest and most level land areas show us, especially when we dig there to very great depths, nothing but horizontal layers of material more or less varied, which almost all contain innumerable products of the sea.
It is a thorny undertaking, and more so than it seems, to follow a movement so wandering as that of our mind, to penetrate the opaque depths of its innermost folds, to pick out and immobilize the innumerable flutterings that agitate it.
The room was quiet, the others flicking glances at me. I ignored them. After years in Sounis's palaces being eyed with disgust by my uncle and my own father and courtier after courtier, I assure you I am unrivaled at pretending not to notice other people's glances.
If the work of art is to continue pursuing the vision of both being in and of the world but nevertheless in some fashion being more than just one more object to the mounting clutter, this is the specific point, I think, where this must be assured.
Some people are settling down, some people are settling and some people refuse to settle for anything less than butterflies.
the thing about pessimism is that in most cases it's nothing more than a front behind which a body can hide its most sweetful yet painful hopes. please forgive mine.
Music and other forms of art are by far the most effective kind of social-work that exists. A single, nameless one-hit wonder brings more comfort to the world than almost any single psychologist can hope to in a lifetime
I'm on a single track here - I work to direct what I want to see onstage. I basically have been feeding my own needs - to be working on a specific project at a specific time, and fortunately more often it works than fails.
Ideally, nothing should be embraced by a consumer firmly, nothing should command a commitment till death do us part, no needs should be seen as fully satisfied, no desires considered ultimate. There ought to be a proviso 'until further notice' attached to any oath of loyalty and any commitment. It is but the volatility, the in-built temporality of all engagements that truly counts; it counts more than the commitment itself, which is anyway not allowed to outlast the time necessary for consuming the object of desire (or, rather, the time sufficient for the desirability of that object to wane).
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