A Quote by Hermann Buhl

Why climb? For the natural experience; for the danger that draws us ever on; for the feeling of total freedom; for the monstrous drop beneath you. It is like a drug.
Family quarrels have a total bitterness unmatched by others. Yet it sometimes happens that they also have a kind of tang, a pleasantness beneath the unpleasantness, based on the tacit understanding that this is not for keeps; that any limb you climb out on will still be there later for you to climb back.
Do people ever climb the demon towers? Like, for any reason?" Aline looked up. "Climb the demon towers?" She laughed. "No, no one ever does that. It's totally illegal, for one thing, and besides, why would you want to?" Aline, Isabelle thought, did not have much imagination. She herself could think of lots of reasons why someone might want to climb the demon towers, if only to spit gum down on passerbys below.
Nature has always something rare to show us... and the danger to life and limb is hardly greater than one would experience crouching deprecatingly beneath a roof.
Ecstasy should not be viewed as an unusual experience, but rather a natural experience - feeling all of the living matrix of existence around us.
The greatest danger for artists is total freedom.
There is probably nothing finer than to climb free and unencumbered by equipment, reveling in the gymnastic upward movement, like Preuss or a Dulfer before you, relying only upon yourself, keeping a sharp eye on things, feeling the rock beneath your feet and fingertips.
It is not enough to show that drug A is better than drug B on the average. One is invited to ask, 'For which people ("& why") is drug A better than drug B, and vice versa? If drug A cures 40% and drug B cures 60%, perhaps the right choice of drug for each person would result in 100% cures.'
I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.You could claim that it's due to my military experience. But it came before that. I love their freedom of behavior. They're not constrained by penal attitudes, puritanical attitudes about behavior, both socially and morally. They have a freedom that I admire. An unquestioned freedom.
We respect the freedom of all citizens. Young people should have fun, but there is no tolerance of drug abuse. Drugs have become a serious problem in Vietnam. This is why we have very strict penalties for any sort of drug dealing.
When I became convinced that the universe is natural, that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell. The dungeon was flooded with light and all the bolts and bars and manacles became dust.
But still I can never shake the feeling that buses are somehow beneath me. Which is why I have a rule regarding their use: I never, ever run for one. And nor should you.
And I was ashamed of myself for feeling like I had to do that in order to look a certain way. I felt misshapen, just not natural anymore. And I think it was a big stimulator of my drug use.
It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
I get frustrated with people who say that a drug experience can have no spiritual validity. I'm here to tell you that all experience is a drug experience. We're all on drugs all the time, largely because we are MADE of drugs
My experience of singing, as an actor, was that there's a different creative feeling of freedom. The acting thing is a bit more defined and cerebral. I can see why people would want to cross over. If you have so much freedom on stage then perhaps you want to be confined a bit, and vice versa.
When we want a book exactly like the one we just finished reading, what we really want is to recreate that pleasurable experience--the headlong rush to the last page, the falling into a character's life, the deeper understanding we've gotten of a place or a time, or the feeling of reading words that are put together in a way that causes us to look at the world differently. We need to start thinking about what it is about a book that draws us in, rather than what the book is about.
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