A Quote by Hermann Hesse

Every important cultural gesture comes down to a morality, a model for human behavior concentrated into a gesture. — © Hermann Hesse
Every important cultural gesture comes down to a morality, a model for human behavior concentrated into a gesture.
Morality's not practical. Morality's a gesture. A complicated gesture learnt from books.
For one thing, I want gesture-any kind of gesture, all kinds of gesture-gentle or brutal, joyous or tragic; the gesture of space soaring, sinking, streaming, whirling; the gestures of light flowing or spurting through color. I see everything as possessing or possessed by gesture. I've often thought of my paintings as having an axis around which everything revolves.
Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.
Behavior influences consciousness. Right behavior means right consciousness. Our attitude here and now influences the entire environment: our words, actions, ways of holding and moving ourselves, they all influence what happens around us and inside us. The actions of every instant, every day, must be right...Every gesture is important. How we eat, how we put on our clothes, how we wash ourselves, how we go to the toilet, how we put our things away, how we act with other people, family, wife, work - how we are: totally, in every single gesture.
Each implementation of human effort, however minute the overall result may be, is summed up in the gesture of the sower - sometimes an awe-inspiring gesture.
Every gesture is a gesture from the blood, every expression a symbolic utterance... Everything is of the blood, of the senses.
Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
The essential gesture of the contemporary novel is to get people to turn the page, to entertain them, and I hate that. I want a novel where the gesture is towards existential investigation on every page. That, to me, is thrilling.
If you have an idea, you have to move on it, to make a gesture. Drawing is an immediate way of articulating that idea - of making a gesture that is both physical and intellectual.
The big moment came when it was decided to paint...Just To Paint. The gesture on the canvas was a gesture of liberation, from Value- political, aesthetic, moral.
The gesture must be correct. If the gesture is correct, your mind really creates the reality of the figure, and it is not necessary to hang on all the rest [of the details].
You should draw not what the thing looks like, not even what it is, but what it is doing... Gesture has no precise edges, no forms. The forms are in the act of changing. Gesture is movement in space.
Gramophone and movies were merely the mechanization of speech and gesture. But the radio and TV were not just the electronification of speech and gesture but the electronification of the entire range of human personal expressiveness. With electronification the flow is taken out of the wire and into the vacuum tube circuit, which confers freedom and flexibility such as are in metaphor and in words themselves.
I actually started to think a lot about the difference between a creative gesture and a noncreative gesture. I decided that all gestures were creative. Because you always have to make a decision at some point.
The paintings are more about physicality and gesture than meditation. I'd compare it to playing scales on the Cello - each sound (pitch and intensity) depends on the manner in which you hold and apply the bow. The same goes for the gesture of applying paint to a surface.
We are not long-term beings. Not heroes of romances in many volumes. For one gesture, for one word alone, we shall make the effort. We openly admit: our creations will be temporary. We shall have this as our aim: a gesture.
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