A Quote by Hermann Hesse
I am fond of music I think because it is so amoral. Everything else is moral and I am after something that isn't. I have always found moralizing intolerable.
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There is something else I am after, out here in the wild. I am searching for an even more elusive prey . . . something that can only be found through the help of wilderness. I am looking for my heart.
Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.
Growing up I was always prone to obsession, partly because of the way I am, but partly because after feeling so lonely for such a long time, when I found someone or something that I liked, I felt helplessly drawn to it. I suppose that accounts for some of the creepiness in my music.
I particularly enjoy cello music because our daughter plays the cello. I have listened to her practice for so many hours that I am familiar with the music written for that instrument. I am also fond of the popular music of the 1930s because my future husband and I danced to it so many Saturday nights when we were in college.
When I am in trouble, eating is the only thing that consoles me. Indeed, as any one who knows me intimately will tell you, I refuse everything except food and drink. At the present moment I am eating muffins because I am unhappy. Besides, I am particularly fond of muffins.
I think the way I am on stage is probably who I really am. Everything else is a persona. It's an unedited version of who you are. For me there's something pure about that.
And though I have done many shameful things, I am not ashamed of who I am. I am not ashamed of who I am because I know who I am. I have tried to rip myself open and expose everything inside - accepting my weaknesses and strengths - not trying to be anyone else. 'Cause that never works, does it?So my challenge is to be authentic. An I believe I am today. I believe I am.
When I am doing music, I sometimes become over compulsive to 'always make some new music'. I think I am like this because I sense what others are perceiving me as. If I work extraordinarily hard because of these expectations, I will, but I just cannot produce the good music that I want.
I am always sad, I think. Perhaps this signifies that I am not sad at all, because sadness is something lower than your normal disposition, and I am always the same thing. Perhaps I am the only person in the world, then, who never becomes sad. Perhaps I am lucky.
After the first establishment of identity there comes the imperative need to lose this new-found sense of separateness and to belong to something larger and more powerful than the weak, lonely self. The sense of moral isolation is intolerable to us.
I am very fond of the people, landscape, poetry, music, history and the Guinness. Being there makes me think of my mother and my grandmother - always sentimental and warm thoughts.
I am comfortable with who I am as a person. I've never felt that pressure of feeling like I need to fit into something else or be something else because that's not me. I work out and I'm healthy, but that's not to lose weight; that's just to feel good.
I hope I am allowed to say that the reason I am popular is because of the way I am, the way I race, and the way I talk. I am just the old-fashioned, reliable guy, and people always know I am after one thing: 'There is Jens. He will go in the breakaway.'
I am learning to see. I don't know why it is, but everything enters me more deeply and doesn't stop where it once used to. I have an interior that I never knew of... What's the use of telling someone that I am changing? If I'm changing, I am no longer who I was; and if I am something else, it's obvious that I have no acquaintances. And I can't possibly write to strangers.
Music, for the moment, has been this hidden thing for me. For the first time, I am master of something. I am not used by someone else, like in movies or pictures, where you always have the happiness or disappointment of knowing it's you seen through someone else's point of view. You go to see a film and half of the pretty scenes are not in it-the ones you liked. Living with this frustration all the time, suddenly music came as the best thing for me at home, where no one can tell you anything.
I have a character failing. I am quite incapable of identifying with anything whole-heartedly. Whatever I am doing, I am always planning to do something else. I would rather travel than arrive.
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