A Quote by Hermann von Helmholtz

The smallest quantity of alcohol scares away novel ideas. — © Hermann von Helmholtz
The smallest quantity of alcohol scares away novel ideas.
A novel is a collision of ideas. Three or four threads may be floating around in the writer's consciousness, and at a single moment in time, these ideas collide and produce a novel.
A novel is based on evidence, + or -x, the unknown quantity being the temperament of the novelist, and the unknown quantity always modifies the effect of the evidence, and sometimes transforms it entirely.
We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.
They biggest man with the biggest ideas can be shot down by the smallest man with the smallest mind-think big anyway.
This is not a phone business. This is the smallest video camera, it's the smallest computer, smallest TV.
I have a slightly contrarian streak as a writer, and one of the things I was interested in was how distilled could I make a life, and how I could cross what is kind of trivialized as a domestic novel with a novel of ideas, a philosophical novel.
If you try to nail anything down, in the novel, either it kills the novel, or the novel gets up and walks away with the nail.
Do you want to know what scares the Washington cartel? Actually, not remotely. I don't scare them in the tiniest bit. What scares them is you. What scares them is that old Reagan coalition is coming back together, of conservatives.
A manure containing several ingredients acts in this wise: The effect of all of them in the soil accommodates itself to that one among them which, in comparison to the wants of the plant, is present in the smallest quantity.
What you want to do is talk about ideas, you write a novel, you have a lecture about those ideas. Satire and comedy are really the only film mediums where you can get into ideas and have people leave the theater without being moralized.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
You work for so long on a graphic novel that it's easy to question your ideas or to burn out on drawing. But you plug away at it and trust in the story you want to tell. It's a marathon, but the finished product is really satisfying.
There's no really other way to learn writing than by writing. So accelerate that as much as you can. The more you write, the better you'll get. What also helps, though, is walking away from broken stuff. Not everything's going to work. Killing two years of your life trying to resuscitate a dying novel, I don't know. Why not just write a different one? You'll have more ideas. You can't help having ideas.
Some of the morays have held on. When I was in school, I remember asking the question, "Why is it that whenever I walk into a fraternity there's alcohol everywhere and there's no alcohol in a sorority? Why is it that sororities won't allow alcohol, but fraternities do? What is that?" You know, nobody had a really good answer, and that's kind of held on. It's one of the issues that's being examined now - the role of alcohol in sexual assault.
It is not of the essence of mathematics to be conversant with the ideas of number and quantity.
These are ideas. I could say that they just came to me, but it would be more accurate to say that I went to them. Ideas - and new connections between ideas - lead you away from commonly held perceptions of reality. Ideas lead you out here. Ideas lead you into the darkness.
This site uses cookies to ensure you get the best experience. More info...
Got it!