A Quote by Hero Fiennes-Tiffin
I'd love to be involved in the process of adapting a book to a script, but that's simply not my job.
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It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.
Generally I start writing when I have even the smallest idea of how a book is going to go, because the physical process of writing itself keeps the mind active and focused on the job at hand. Usually I write in about 5 drafts, but that simply means there are 5 definite times when I go in a linear fashion from the beginning to the end of the book.
I simply asked if I could have a go at adapting a screenplay. But I did not want any money, in case I failed because I did not want a script out there with my name on it that might be completely dysfunctional.
Acting in particular is a fun job when you have a good script. I don't know about acting when you don't have a great script. I'm gonna say that's not a great job, it's kind of a dumb job. But when you have a good part in a good script, it's the best job, in a way.
There's not a second of my time on tour where I'm not engaged with something. It is the hardest job - a great job, and I love it - but truly the hardest job I've ever had. There's no time away, there's no time off, and it's so exhausting. I drive myself around in a van, and I don't have the money or infrastructure to do it differently, and I'm involved at every level. I feel like I'm just collecting info, and can't wait to get home to try and process these.
The key thing is knowing how to adapt. Adapting to the group that you have at your disposal; adapting to the place where you're working; adapting to the local environment. This is crucial: adaptability.
I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.
It's sort of an organic process when you're adapting any book, not even just your own. You want to preserve the heart of the story and you want to preserve who the characters are, but film requires a lot of compression.
Adapting a book doesn't mean the book stops just because you've made a film out of it.
I was in Los Angeles making 'Dead Again' and the producer, Lindsay Doran , asked me if I'd be interested in adapting this book, .. Austen is my favorite author and I thought, 'Well, of course, I'd be very interested, but I don't know how. I don't know where to start, A, writing a screenplay and B, sort of adapting it from a great novel.
The business of taking a book and transforming into a script to make this thing called a film - it's a mysterious process to me; sometimes it works.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
Directing is a reactionary job more than a creation job. The job is to react whether it's moment one, the first time you read the script or see an article or read a book or notice something happen on the street and have an idea for a movie, and it just continues from there on in. You're just reacting to dialogue, a performance, an audition, a headache, a piece of furniture, a piece of clothing.
A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
The first series I wrote, 'L.A. Candy,' was always meant to be a three-book series, so when I started out it was all outlined that way and by the time I was done with the third book, I had become so involved and the process and the stories, I was a little bit sad to be done.
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