A Quote by Herta Muller

What can't be said can be written. Because writing is a silent act, a labor from the head to the hand. — © Herta Muller
What can't be said can be written. Because writing is a silent act, a labor from the head to the hand.
For the most part, romance is written in third person, and it's written in multiple points of view, so you're in the hero's head, and you're in the heroine's head. I've always said that I'm more of a narrator than a creator.
First, draw off your hearts, because Jesus Christ, the Head, is risen and ascended upon high, and there sits at the right hand of His Father; and if the Head is in heaven, where should the members be but where the Head is? Shall Christ our Head be in heaven, and shall our hearts, which are His members, lie groveling on the ground and panting after the dust of the earth, making all our inquiry and labor after these? 'If Christ our Head be risen, seek those things that are above, where Christ sits at God's right hand.'
I feel that the act of writing, in and of itself, is a tool towards probing that which you wouldn't without that pen in your hand. It's a strange, almost neurological phenomenon, and the words seem to generate more words - but only when you're writing. You can't do it in your head.
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
Writing is this odd act, right? To sit and type, or write by hand, or whatever people do. And it requires a real discipline because it is really a sheer act of will that you're creating something, and you're doing it by yourself.
Angelina, Alicia, and Katie suddenly giggled. "What?" said Wood, frowning at this lighthearted behavior. "He's that tall, good-looking one, isn't he?" said Angelina. "Strong and silent," said Katie, and they started to giggle again. "He's only silent because he's too thick to string two words together," said Fred impatiently.
I see manuscripts and books that are spoiled for the literary reader because they are one long stream of top-of-the-head writing, a writer telling a story without concern for precision or freshness in the use of language. Some of this storytelling reads as if it were spoken rather than written, stuffed with tired images that pop into the writer's head because they are so familiar. The top of the head is fit for growing hair, but not for generating fine prose.
A book is not an example of 'women's writing' simply because it is written by a woman. Writing may become 'women's writing' when it could not have been written by a man.
[Raymond Roussel] said that after his first book he expected that the next morning there would be a kind of aura around his person and that everyone in the street would be able to see that he had written a book. This is the obscure desire harboured by everyone who writes. It is true that the first text one writes is neither written for others, nor because one is what one is: one writes to become other than what one is. One tries to modify one's way of being through the act of writing.
The duty of labor is written on a man's body: in the stout muscle of the arm,, and the delicate machinery of the hand.
I had a period when I was sixteen where I started to get a big head. I was going through puberty, and I was nominated for an Academy Award. My head got inflated. My friends were the real ones who said, 'You're acting different.' But the truth is that I don't need that, because I don't get out of hand.
It has been said, "History is written by the victors." I take this to mean we can make ourselves victorious by writing, and then rewriting our own stories. In a country and culture so dominated by media, by the manipulation of words and stories, telling the tales of people whose stories historically have not been told is a radical act and I believe an act that can change the world and help rewrite history.
To me, writing is a considered act. It's something which is a great labor of thought and consideration.
A lot of people will tell you the first step to starting something new is to have an idea. But to me the first step starts long before that. The first step to acting like an entrepreneur is to look not at the writing on the wall but at the spaces between the writing. It's in the gap between what's being said and what's not being said that entrepreneurs thrive. The way to get going is to find the courage to take your dream out of your head and put it to the test in the real world. Don't just think it; act on it.
People like head trauma. They love knockouts. The crowd is silent, silent, silent... and then a knockout happens, and everyone goes native. There would be far fewer knockouts without the gloves.
writing is a labor of love and also an act of defiance, a way to light a candle in a gale wind.
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