A Quote by Herta Muller

Anything in literature, including memory, is second-hand. — © Herta Muller
Anything in literature, including memory, is second-hand.
When we moved to England in 1986, I was ten years old and I didn't know anything about punk or hip hop. The only words I knew in English were 'dance' and 'Michael Jackson.' We got put in a flat in Mitchum, and the council gave us second hand furniture, second hand clothes and a second hand radio that I took to bed with me every night.
Literature is memory written down. All literature is memory.
All bad Literature rests upon imperfect insight, or upon imitation, which may be defined as seeing at second-hand.
If you ever need a helping hand, it is at the end of your arm. As you get older you must remember you have a second hand. The first one is to help yourself. The second hand is to help others.
There is first the literature of knowledge, and secondly, the literature of power. The function of the first is--to teach; the function of the second is--to move, the first is a rudder, the second an oar or a sail. The first speaks to the mere discursive understanding; the second speaks ultimately, it may happen, to the higher understanding or reason, but always through affections of pleasure and sympathy.
Perhaps second-hand cares, like second-hand clothes, come easily off and on.
The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
My sister and I are both diagnosed with second-hand smoke syndromes. We have never smoked, but we grew up with second-hand smoke our entire lives.
Literature transmits incontrovertible condensed experience... from generation to generation. In this way literature becomes the living memory of a nation.
If second hand smoke is killing that many people and nicotine is so addictive then why is no one addicted to second hand smoke?
A surprising number of people - including many students of literature - will tell you they haven't really lived in a book since they were children. Sadly, being taught literature often destroys the life of the books.
Dogs can be made to feel guilty about anything, including the sins of their owners. Cats refuse to take the blame for anything - including their own sins.
What the learned world tends to offer is one second-hand scrap of information illustrating ideas derived from another second-hand scrap of information. The second-handedness of the learned world is the secret of its mediocrity.
Everything is possible for the writer. There isn’t anything anyone can tell you that you can’t do, and there is no such thing as "getting away with" anything. There’s no one to tell you what you can or can’t do. You’re only limited by the fences you allow yourself to build around yourself, for whatever reason, including fidelity to some idea about literature someone else imposed upon you some time long ago or five minutes ago.
Do not make the writer stand behind a podium. Anything but. A podium reeks of the lecture hall. A music stand, on the other hand, is nicely minimal and lends the writer - who usually needs all the help s/he can get - a musician's second-hand cool-factor.
The [Five Second Rule] has many variations, including The Three Second Rule, The Seven Second Rule, and the extremely handy and versatile The However Long It Takes Me to Pick Up This Food Rule.
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