A Quote by Hideo Kojima
When I was small, I was always thinking about different worlds in my head.
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There are different worlds, endless worlds, and different beings come from different worlds. In my particular case, I come from the stillness. We call it the dharmakaya, the clear light of reality. I know it quite well.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
Thinking is creating with God, as thinking is writing with the ready writer; and worlds are only leaves turned over in the process of composition, about his throne.
I think part of what I love about being an actor is getting to take on different worlds and investigate different genres and travel to different lands.
In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.
I had been writing since I was pretty small, and I've always been telling these stories about doors and finding other worlds within our own.
I'm always thinking ahead, and I'm always curious about what's happening next. I thrive on that kind of thinking, so I don't burn out. And I think that's a sign - if you can't stop thinking about your job, in a positive way that energizes you, then you're probably where you're meant to be.
It's so funny because when I talk about fashion and menswear designers, it's really like a small percentage of my head. I don't mind talking about it, but I always worry that it's gonna seem to the outside world that that's all I think about.
No two languages are ever sufficiently similar to be considered as representing the same social reality. The worlds in which different societies live are distinct worlds, not merely the same world with different labels attached.
My thought process when I'm on the court is always thinking about getting better, and thinking about how I'm playing. Thinking about it as a process, as the big picture and what I need to work on, instead of being close-minded and thinking, 'I'm so nervous and have to win this match, if I don't, it'll be the worst.'
Positive thinking is just one small part of positive psychology. Plus, as an approach to well-being, positive thinking only helps you to the extent that it yields one or more positive emotions. The problem with positive thinking is that it sometimes just stays up "in the head" and fails to drip down to become a fully embodied experience.
When I'm playing music I'm usually not thinking of surfing, just because I'm usually thinking about the chords and the lyrics, and sometimes that messes me up 'cause you'll start thinking, "Wait, how am I doing this?" But when I'm surfing, I'm usually thinking about music - whether it's an idea for a new song, or just singing a song in my head.
I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
You keep your head down and you work and work, and all of a sudden you pick your head up and people are receiving it the same way we're sending it. They're thinking the same things that I'm thinking about the show.
Choking is about thinking too much. Panic is about thinking too little. Choking is about loss of instinct. Panic is reversion to instinct. They may look the same, but they are worlds apart.
People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.
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