A Quote by Hikaru Nakamura

The way I play is not like most people. The moves are more computeresque. They're not the moves that most humans are going to play. — © Hikaru Nakamura
The way I play is not like most people. The moves are more computeresque. They're not the moves that most humans are going to play.
When Grand Masters play, they see the logic of their opponent's moves. One's moves may be so powerful that the other may not be able to stop him, but the plan behind the moves will be clear. Not so with Fischer. His moves did not make sense - at least to all the rest of us they didn't. We were playing chess, Fischer was playing something else, call it what you will. Naturally, there would come a time when we finally would understand what those moves had been about. But by then it was too late. We were dead.
When film is not a document, it is dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn't explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside. Most of my conscious efforts have ended in embarrassing failure - The Serpent's Egg, The Touch, Face to Face and so on.
A novel is a static thing that one moves through; a play is a dynamic thing that moves past one.
You're different. You're more perfect. Time is three things for most people, but for you, for us, just one. A singularity. One moment. This moment. Like you're the center of the clock, the axis on which the hands turn. Time moves about you but never moves you. It has lost its ability to affect you. What is it they say? That time is theft? But not for you. Close your eyes and you can start all over again. Conjure up that necessary emotion, fresh as roses.
I'm very much still connected to the way that I've always been perceived. And it happens. I'm not trying to play up anything, it is true. I've walked by numerous cars where they've locked the doors, I get into an elevator and someone moves out of the way. I've been to a place where some people think their children shouldn't play with my children. And that breaks my heart.
I try to do things that keep me interested. And play music that moves me. I like to move around and play in a lot of different ways.
Then again, you cannot stop the flood of desire as it moves through the world, inappropriate though it may sometimes be. It is the prerogative of all humans to make ludicrous choices, to fall in love with the most unlikely of partners, and to set themselves up for the most predicatable of calamities.
Sometimes when you play a character, you can feel it in your body. And I felt like I had characteristics of my dog: the way Webster moves, the way he holds his head. I kind of adapted it into this part unconsciously
Sometimes when you play a character, you can feel it in your body. And I felt like I had characteristics of my dog: the way Webster moves, the way he holds his head. I kind of adapted it into this part unconsciously.
I think the most important way to understand play is that it's this property that's in things. Like there's play in a mechanism. For example, there's some play in the steering column before it engages as you're turning the wheel.
What I've noticed in this game is how EA has even duplicated my moves and my style of play perfectly. It is really incredible and a lot of fun to play.
I will always desire to play with Bruce Springsteen. He's the most inspirational, most dedicated, most committed and most focused artist I've ever seen. I like to be around people like that.
Music moves society more than most people realize. In my opinion, it's a soft manipulator of influence and change.
Chess programs don't play chess the way humans play chess. We don't really know how humans play chess, but one of the things we do is spot some opportunity on the chess board toward a move to capture the opponent's queen.
Young people will tell you, if you're not prepared to write the most violent, the most misogynistic, the most horrible kinds of rhymes and scenarios, you are not going to get air play.
The power of story is potent and that's why historical fiction can be an extraordinarily significant way of teaching people logical truth propositions, moves you along, moves your emotions as well as informs your intellect.
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