A Quote by Hilary Hahn
When I was starting out with record companies, there was a tendency to simplify the image as a prodigy. I have more than one adjective, and I've always tried to be myself and listen to my instincts.
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The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
I wrote half the record in 2002, which basically concluded with us releasing "Baby's Got A Temper," the last single. I think after the disappointment of that record for myself with the lack of energy and the way the record came out, I would say that was probably the low point of The Prodigy.
I have never tried to bind myself in some kind of an image on screen. I have always tried to do different things.
We didn't want to be tied to that damn teenybopper market. We tried to convince our record company that we could do more than silly AM hits, but they wouldn't listen.
At 25, I made many companies. I was thinking more like a businessman or entrepreneur than a CEO. I created many companies, small companies, medium companies. I tried to be involved in many kinds of activities, in finance, in real estate, in mining.
If I'm going to be the best in what I do, I have to study what I'm doing, I have to see what I'm doing. I have to see it, I have to hear it. I'm just starting to appreciate myself - not starting, but appreciating myself in a way where I can look at myself back in a movie or listen to myself as much as I do now.
Each of us is born with two contradictory sets of instructions: a conservative tendency, made up of instincts for self-preservation, self-aggrandizement, and saving energy, and an expansive tendency made up of instincts for exploring, for enjoying novelty and risk-the curiosity that leads to creativity belongs to this set. But whereas the first tendency requires little encouragement or support from outside to motivate behaviour, the second can wilt if not cultivated.
When I listen to and play the songs from 'Narrow Stairs' now, that record feels like a record where we had established a style that arguably was more our own than it was in the beginning. Going into that record, I felt a lot more confident in my songwriting. It was a fairly prolific time for me.
The only thing I really recommend, if you're starting out in stand-up is to not try to copy anybody else. You can be influenced by people. I was influenced by Steve Martin and Bob Newhart and Woody Allen, but I never tried to be someone else. I always tried to be myself. And the reason people are successful is they're unique.
I still listen to older music a lot more than new singers. I listen to whatever's on the radio, but when I want to listen to something that moves me I put on a Stevie Wonder record.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
When we turn the Bible into an adjective and stick it in front of another loaded word, we tend to ignore or downplay the parts of the Bible that don’t quite fit our preferences and presuppositions. In an attempt to simplify, we force the Bible’s cacophony of voices into a single tone and turn a complicated, beautiful, and diverse holy text into a list of bullet points we can put in a manifesto or creed. More often than not, we end up more committed to what we want the Bible to say than what it actually says.
The industry has changed in that it is far more disposable than it used to be. When Boyzone came out, we were given a shot and the patience to record our singles and albums. Nowadays, the thought is if it is not working, then the artist will be dropped. The record companies will bail on the artists, and I find that sad.
It always fascinates me how you can get so much joy listening to another person, when me, personally, I can only listen to myself and my music these days. I've got some people in my iPod, but I only listen to myself. I'm folding into myself and I used to think that that was what you're supposed to do - you're supposed to reject everyone else and figure out who you are. You get little shards and points of reference, but that's how you confirm that only you know what is right for you. Everything else is pollution. What's starting to happen to me is sort of an identity crisis.
As a rapper, I feel like image is always important but even more so than image, I really love clothes, that's why I don't use stylists. I want to do it myself because I really love it.
I always thought that if record companies didn't understand me, fine - I'd go and do it by myself.
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