A Quote by Hilary Hahn
Through the Internet and technology, anyone can now seek out any artist, composer or undefined niche of music they find interesting. All on their own, without even having to stand up or go anywhere.
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On the Internet, you can form a community without having to go through the trouble of meeting anyone.
It's glorious to be able to go onto the Internet and hear any kind of music anywhere, from anywhere, and get it instantly. But there's also something glorious about having a record with a sleeve and looking at the artwork, putting it on the turntable and playing it, there's still something romantic to me about that.
Having access to mobile phones and being able to document your own life brings people together. Technology has a lot to do with how the world is developing at the moment because there are very raw and pure and primal emotions that people are communicating to each other over the Internet. It's like our new feathers, our new face paint. We're still trying to find love and friendship and cool music, but now it's over the Internet.
I think that with the Internet, it has given a lot of people the opportunity to get themselves out there to the masses. But it's easy to group everyone that's on the Internet together. I try to cross and jump around between genres and different styles, kind of find my own niche.
I couldn't go now to a brand that had a niche attitude like... gothic. I couldn't do that. Well, I could do it, but I wouldn't find it interesting, challenging.
Bitcoin is amazingly transformative because it's the first time in the entire history of the world in which anybody can now send or receive any amount of money, with anyone else, anywhere on the planet, without having to ask permission from any bank or government.
A man can stand a lot as long as he can stand himself. He can live without hope, without friends, without books, even without music, as long as he can listen to his own thoughts.
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
I've been able to find just as much interesting, exciting music through the Internet and iTunes... The personal interaction is not the same, and I'm not walking out of a store with a physical thing, so there's definitely an element that is lost, for sure.
You want to be taken seriously as an artist and not just known as 'that girl wrestler who sings.' So you want to go out and stand on your own legs. But at the same time, I don't negate the fact that without everything I've accomplished in wrestling, I wouldn't have been given so many really cool opportunities on the music side.
Every philharmonic orchestra merely interprets the composer. My goal was to create new music by that composer. In doing so, I wanted to find the painter's creative center and become familiar with it, so that I could see through his eyes how his paintings came about and, of course, see the new picture I was painting through his eyes - before I even painted it.
I think that people should find a niche that will work. I have friends growing up who sat around playing video games for hours after school, and now they work for the video game industry. People need to find a niche so it doesn't feel like a job anymore. When I'm working on the "Lights Out" brand, it's fun. It's not work.
K. Dot was a kid who was trying to find himself in music, finding trends, um, bending towards - ready to bend towards what the industry was telling me to do and after you mature at a certain time in your life, you come into your own...your own niche, your own personality, not only as an artist but as a person.
The two parts of technology that lower the threshold for activism and technology is the Internet and the mobile phone. Anyone who has a cause can now mobilize very quickly.
[While writing], I'll go anywhere I find that is quiet, has no internet. I have a big internet problem.
Notes are part of life for any composer for hire. There's no way around it. I think anyone who has done even a small number of films as a professional composer gets used to that idea pretty quickly.
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