A Quote by Hilary Hahn

Edgar Meyer's violin concerto was the first piece of contemporary music I worked on in any depth. I was 18 or 19. — © Hilary Hahn
Edgar Meyer's violin concerto was the first piece of contemporary music I worked on in any depth. I was 18 or 19.
I've always listened to music while I write, but none of my work has been so directly impacted by a song as my new novel, 'So Cold the River,' for which the brilliant strings piece 'Short Trip Home,' composed by Edgar Meyer and featuring the incredible Joshua Bell on violin, inspired much of the story.
Tchaikovsky’s Violin Concerto gives us for the first time the hideous notion that there can be music that stinks to the ear.
There's a million people who can go out and play the Mendelssohn Violin Concerto brilliantly, but we're the only ones who can do 'A Little Nightmare Music.'
My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque.
All great music is contemporary. If it's still alive and kicking, then it's contemporary. If it fades away, it was a period piece. It had its moment, and that was it.
I'm not crying about anything or anyone in particular. The life I live I created for myself, and I wouldn't want it any different. I cry because in the universe there is something as beautiful as Kremer playing the Brains violin concerto.
Of course my books are translated into many languages. I have here, in my home, translations on my shelf of my books into forty-five different languages. Almost none of them I can read. I can read only the English editions. But, I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque. So, different musical instruments provide for different music.
I didn't start playing music really until I was 18/19, so it was a relatively new thing. I didn't play much music in school.
I have 18 or 19 first cousins, and we're all very close.
When the time is right I have a laugh and a joke with my friends on a day off, but I have had to make sacrifices, and in that sense it's been a huge step forward, completely different to how it was before. I was 18 when the manager spoke to me. I realised I'm not like any other teenager. I can't be doing stuff any other 18 or 19-year-old was doing.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
I usually listen to the same thing over and over again: Tchaikovsky's Violin Concerto in D Major. And Leonard Cohen.
I can't stand being in Chicago anymore and hearing the Brahms Violin Concerto in the elevator. Because that shows me that when they come to the concert hall they listen to it in the same way.
My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.
When I went to Real Madrid, I was only 18 or 19 years old. It was my first year as a professional footballer. I was very young.
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