A Quote by Hilary Liftin

None of my clients are criminals, but to a much lighter degree that's what goes on. I hear the story, and I hear it with the level of detail that breeds empathy. — © Hilary Liftin
None of my clients are criminals, but to a much lighter degree that's what goes on. I hear the story, and I hear it with the level of detail that breeds empathy.
You weren't supposed to hear Elvis Presley. You weren't supposed to hear Jerry Lee Lewis. You weren't supposed to hear Robert Johnson. You weren't supposed to hear Hank Williams. And they told the story of the secret America.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
By manipulating what you hear and how you hear it - and what other things you don't hear - you can not only help tell the story, you can help the audience get into the mind of the character.
We're living in a world where clients constantly are saying to me, 'The most important thing you can do is to tell me what I need to hear, not what I want to hear.'
You seldom listen to me, and when you do you don't hear, and when you do hear you hear wrong, and even when you hear right you change it so fast that it's never the same.
You hear as many things as you would imagine. I hear voices of people I loved once. I hear moments that took place. I hear silences.
I think that when memoir goes wrong, it goes wrong from too much memory, too much detail. It's about clearing all that away and just getting to the story.
One of the rules of the road is that if you want to create the sense of silence, it frequently has more pungency if you include the tiniest of sounds. By manipulating what you hear and how you hear it and what other things you don't hear, you can not only help tell the story, you can help the audience get into the mind of the character.
I prefer the word 'journeyman' to 'journalist' because I think that certainly, when you hear a story, you want to hear certain facts. But I also think what makes a story interesting is the points of view expressed therein.
What I always tell my clients is to put yourself in your potential customer's shoes - what would you want to hear about this story/book and does this [marketing material] deliver that information?
I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.
Can you hear the dreams crackling like a campfire? Can you hear the dreams sweeping through the pine trees and tipis? Can you hear the dreams laughing in the sawdust? Can you hear the dreams shaking just a little bit as the day grows long? Can you hear the dreams putting on a good jacket that smells of fry bread and sweet smoke? Can you hear the dreams stay up late and talk so many stories?
What I love is when I play gigs, it's just me and a guitar - very simple, very direct and intimate, and you hear every lyric, and you hear every detail.
When the business really works is when we hear clients say, 'I've never had jeans that fit me until I got a pair from Stitch Fix.' We'll also hear, 'I would never have tried this dress on in a store.' It's not just about convenience. They're happier in their clothes.
Theres something incredible about putting a helmet on just before a game; its a feeling only a football player knows. Your vision narrows, and the whole world shrinks. You cant hear much of what goes on outside you, but you can hear yourself breathe and you can feel yourself sweat.
I hear hundreds of years of life. I hear wind and rain and fire and beetles. I hear the seasons changing and birds and squirrels. I hear the life of the trees this wood came from.
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