A Quote by Hilary Mantel

When people begin to talk about "our island story" my hackles rise. It is deluded and conservative. — © Hilary Mantel
When people begin to talk about "our island story" my hackles rise. It is deluded and conservative.
We're talking about, essentially, the Roman historians, who wrote Cleopatra into the story mostly so that they could talk about the rise of Rome. And that is one of the problems, of course, in recounting her life. She's only ever apparent to us when there is a Roman in the room, or when her story intersects with the rise of Rome.
There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.
You know some people are all about talk. I'm about results. Every victory, every conservative victory, I've had, I've had to bleed and fight to accomplish it, always adhering to our conservative principles, and refusing to take no for an answer.
Dick Armey is an economic conservative. He is not a social conservative. He doesn't like to talk about marriage and about the unborn child, the sanctity of life and things like that. He wants to talk about smaller government.
We always have the potential to rise. Rise out of our slump. Rise out of our negative thoughts. Rise out of our comfort zone. Rise out of our complaints. GET UP AND RISE. Rising is a choice that's one powerful thought away.
the way with Ireland is that no sooner do you get away from her than the golden mists begin to close about her, and she lies, an Island of the Blest, something enchanted in our dreams. When you come back you may think you are disillusioned, but you know well that the fairy mists will begin to gather about her once more.
Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.
I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.
The thing I always guard against when I'm talking to people I'm working with about a script is that there's a thing I don't like and it's called "talk story." It's when you're talking about the story; the characters are tasked with talking about the story instead of allowing the audience to experience the story.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
I'm the least spiritual person in the world. I can't even abide a smelly candle. I know it's meant to make me relax, and that immediately makes my hackles rise.
'Rise' is a fun web series but one that tackles the practical realities of our lives. It is a story that most of us experience in some or the other form, and that is what got me excited about the story.
As I set out to begin photographing Shanghai, I encountered the insider/outsider phenomena in the most personal of ways. You would walk into an old neighborhood in the center of city, and people would begin to point at you. People would begin to talk about you, spreading the word about the outsider who has wandered into their midst, look at him, he's got a camera, what's he doing, is this allowed, is this OK, how should be respond to him.
I think that we need to begin talking about what does it mean to create these safe spaces in our communities, to begin welcoming one another into our homes and into our communities when they're returning home from prison, people who are on the streets. We need to begin doing the work in our own communities of creating the kind of democracy that we would like to see on a larger scale.
When people begin to understand that whatever they think and feel happens, then the psychic phenomena begin to rise, which is what's happening now.
We measure our presence in generations; we cannot dig down ten thousand years and find our bones. Our arrival is scribed upon the line of history; it does not drift upon the winds of story, or float upon the shrouds of myth. We are still explorers and discoverers, seeking meaning through movement and examination. But we are coming to a time of listening. Our sweat and breath are now upon this land. Voices rise up, and we begin to hear the echoes in the stones.
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