A Quote by Hilary Mantel

I used to think that when I set out that doing the research was enough! But then the gaps would emerge that could only be filled by the imagination. And imagination only comes when you privilege the subconscious, when you make delay and procrastination work for you.
Imagination only comes when you privilege the subconscious, when you make delay and procrastination work for you.
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
The historian has before him a jigsaw puzzle from which many pieces have disappeared. These gaps can be filled only by his imagination.
All human accomplishment has the same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination.
All human accomplishment has this same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination! It converts to actual. It sustains, it alters, it redeems!
Though progress starts with the imagination, only work can make things happen. And work itself works best when fueled, again by the imagination.
There are people a lot smarter than me investigating nature versus nurture who would have a lot to say about that, but I think it's an enormous privilege to be born into a family where my parents had enough time to read to me and listen to my stories and foster my imagination. It's a privilege to have time to investigate your imagination. And not to have, like, an amount of stress on you as a kid that prevents you from maturing creatively.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
Without design thinking, the only sane response to a problem is to make a smaller, "safer" move. Smaller moves don't get you very far. They key is to let out the leash on imagination, but not take it off the leash. Imagination is the only path to innovation. It's a good example of something that humans do better than machines.
Imagination helps you to recognize the reality of facts, but then to go beyond them, to penetrate beneath them, to rise above them in your search for creative answers to problems. Imagination "stirs up the gift of God in thee." Through your imagination you touch and express the inspiration of the Infinite. Imagination, in the words of Shakespeare, "gives to airy nothing a local habitation and a name." You reach into the heavens to grasp an idea, then you bring it down to earth and make it work.
It is a great profession. There is the fascination of watching a figment of the imagination emerge through the aid of science to a plan on paper. Then it moves to realization in stone or metal or energy. Then it brings jobs and homes to men. Then it elevates the standards of living and adds to the comforts of life. That is the engineer's high privilege.
Engineering is a great profession. There is the satisfaction of watching a figment of the imagination emerge through the aid of science to a plan on paper. Then it moves to realization in stone or metal or energy. Then it brings homes to men or women. Then it elevates the standard of living and adds to the comforts of life. This is the engineer's high privilege.
The reason we have poverty is that we have no imagination. There are a great many people accumulating what they think is vast wealth, but it's only money... they don't know how to enjoy it, because they have no imagination.
I used to juggle from one set to the next. I would start at 5 A. M. in the morning and would sometimes finish only at 5 A. M. the next day. I would then go home, take a bath and set out again. There would be no sleep at all.
When preparing for a role, a month is a luxury. Sometimes you've maybe got two weeks before you start on something. So you have to learn how to do it quickly. And the longer you have a role, that it lives in your imagination, the more you're going to be able to contribute when you get on set. Because it's really about your subconscious having time to sit with the part, so you're out doing something and then something occurs to you, you know?
Reading is a gymnasium for the imagination where people can work out, get ready for the shocks of existence. [...] For me, the intimate teachers have not only taught me how to make things, they have represented some qualities of mind and mindfulness that I would like to have.
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