A Quote by Hilary Mantel
It's complementary. It's fairly clear where the boundaries are. When I start telling you the contents of his head, I am making it up. But I try to make it up based on what is on the record. So even my wildest speculations [on Thomas Cromwell] will have a root somewhere.
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I never want to make people upset, but sometimes we may. When I interview people, I try to make it clear that our obligation is to what we uncover and to telling that story and to presenting it fairly and making sure everyone has a say.
As soon as you start making a record, things start getting lined up: the promotion, possibly even a tour.
I am Thomas Cromwell in the court of the Tudors.
If I'm practicing making up what the characters will do, it's never good. In fact, when I catch myself doing that, I try to get rid of that section, and try and let them start making the decisions.
Whoever is standing up telling the white man that his position is unjust and that the black people should not have to wait for any Supreme Court, Congress or Senate to legislate, or even the president to issue any kind of - of a proclamation to better the condition of our people, if a N - if he - if a, if a Negro leader is standing up, making that point clear, then he's all right with us.
There are things I don't like, like sitting at the head of the class. It makes me uncomfortable. I'll do it in a seminar if I have to, but with a workshop, I try to put myself in the circle somewhere. Because that hopefully frees up some people by making somebody else sit at the nominal head of the table.
Will looked up angrily, shaking his head in disbelief. Will you shut up? he said tautly. Horace shrugged in apology. 'I'm sorry' he said, I sneezed. A person can't help it when they sneeze. Perhaps not. But you could try to make it sound a little less like an elephant trumpeting in agony; Will told him.
We love telling stories about characters who you root for, even though they sometimes make it really hard for you to root for them and the choices they make.
You know, when you're making a record, you come up with 15, 20 songs. Then they start to fall by the wayside as your interest wanes. It's kind of like a process of elimination to determine which songs wind up on the record.
For me, it works best to plan just enough to come up with a good direction to head out in. Then I start down the path as soon as I can, without a very clear idea of what exactly I'm going to end up with. I try to leave a lot of time for flexibility and play and changing direction.
I usually need to read emails to actually wake up. I'll read these and Twitter, and my brain will start to get going about what a narcissistic monster I am. I read on Twitter who is talking about me. I'll also start making jokes for the day based on what I read on Twitter.
The totality of a record is usually beyond ones ability to imagine when you start working on it, but the component parts are, usually, fairly clear one way or another.
I am not afraid to stop the puck with my head. I try to do it sometimes even in practice; not everyday but once in a while, I say to my teammates, shoot me in my head and I'll try to stop the puck. I am not afraid at all of the puck, so sometimes, if the shot comes at my head, it's an easier save to make with your head. Maybe the people think a different way, but for me, I do it with my head.
But what if I make a mistake?' Will asked. Gilan threw back his head and laughed. 'A mistake? One mistake? You should be so lucky. You'll make dozens! I made four or five on my first day alone! Of course you'll make mistakes. Just don't make any of them twice. If you do mess things up, don't try to hide it. Don't try to rationalize it. Recognize it and admit it and learn from it. We never stop learning, none of us.
The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts.
Part of the core of my system, is a way of trying to give the characters more control. If I'm practicing making up what the characters will do, it's never good. In fact, when I catch myself doing that, I try to get rid of that section, and try and let them start making the decisions.
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