A Quote by Hilary Mantel
A sea-green sky: lamps blossoming white. This is marginal land: fields of strung wire, of treadless tyres in ditches, fridges dead on their backs, and starving ponies cropping the mud. It is a landscape running with outcasts and escapees, with Afghans, Turks and Kurds: with scapegoats, scarred with bottle and burn marks, limping from the cities with broken ribs. The life forms here are rejects, or anomalies: the cats tipped from speeding cars, and the Heathrow sheep, their fleece clotted with the stench of aviation fuel.
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I have seen war. I have seen war on land and sea. I have seen blood running from the wounded. I have seen men coughing out their gassed lungs. I have seen the dead in the mud. I have seen cities destroyed. I have seen 200 limping, exhausted men come out of line—the survivors of a regiment of 1,000 that went forward 48 hours before. I have seen children starving. I have seen the agony of mothers and wives. I hate war.
Silver flow the streams from Celos to Erui In the green fields of Lebennin! Tall grows the grass there. In the wind from the Sea The white lilies sway, And the golden bells are shaken of mallos and alfirin In the green fields of Lebennin, In the wind from the Sea!
Of course, with agriculture came the first big civilizations, the first cities built of mud and brick, the first empires. And it was the administers of these empires who began hiring people to keep track of the wheat and sheep and wine that was owed and the taxes that was owed on them by making marks; marks on clay in that time.
My childhood landscape was not land but the end of the land - the cold, salt, running hills of the Atlantic. I sometimes think my vision of the sea is the clearest thing I own.
Take my love, take my land Take me where I cannot stand I don't care, I'm still free You can't take the sky from me Take me out to the black Tell them I ain't comin' back Burn the land and boil the sea You can't take the sky from me There's no place I can be Since I found Serenity But you can't take the sky from me.
As a Midlander and a big walker, I'd always loved ridge and furrow fields, the plough-marked land as it was when it was enclosed. It is the landscape giving you a story of lives that ended with the arrival of sheep.
I am in awe of the perpetual tumult of the sea. I am moved by the still place on the horizon where the sky begins. I am stirred by the soaring and dipping fields that make the landscape into a rumpled green counterpane. I thought I would never have such powerful feelings again. I thought I would live through the rest of my life having experiences, and thoughts, but I never thought I would again feel deeply-- I was convinced that my wounds had healed and become thick scars, essentially numb.
I have spent many hours on the beach collecting sea glass, and I almost always wonder, as I bend to pick up chunk of bottle green or a shard of meringue white, what the history of the glass was. Who used it? Was it a medicine bottle? A bit of a ship's lantern? Is that bubbled piece of glass with the charred bits inside it from a fire?
The fields are snowbound no longer;
There are little blue lakes and flags of tenderest green.
The snow has been caught up into the sky-
So many white clouds-and the blue of the sky is cold.
Now the sun walks in the forest,
He touches the bows and stems with his golden fingers;
They shiver, and wake from slumber.
Over the barren branches he shakes his yellow curls.
Yet is the forest full of the sound of tears....
A wind dances over the fields.
Shrill and clear the sound of her waking laughter,
Yet the little blue lakes tremble
And the flags of tenderest green bend and quiver.
We may believe that we shall know each other's forms hereafter; and in the bright fields of the better land call the lost dead to us.
Be praised for all Your tenderness by these works of Your hands, suns that rise and rains that fall to bless and bring to life Your land. Look down upon this winter wheat and be glad that You have made blue for the sky and the color green that fills Your fields with praise.
A flock of sheep that leisurely pass by One after one; the sound of rain, and bees Murmuring; the fall of rivers, winds and seas, Smooth fields, white sheets of water, and pure sky - I've thought of all by turns, and still I lie Sleepless.
All Nature bristles with the marks of interrogation-among the grass and the petals of flowers, amidst the feathers of birds and the hairs of mammals, on mountain and moorland, in sea and sky-everywhere. It is one of the joys of life to discover those marks of interrogation, these unsolved and half-solved problems and try to answer their questions.
Speak not, move not, but listen, the sky is full of gold. No ripple on the river, no stir in field or fold, All gleams but naught doth glisten, but the far-off unseen sea. Forget days past, heart broken, put all memory by! No grief on the green hillside, no pity in the sky, Joy that may not be spoken fills mead and flower and tree.
The gray-green stretch of sandy grass,Indefinitely desolate;A sea of lead, a sky of slate;Already autumn in the air, alas!One stark monotony of stone,The long hotel, acutely white,Against the after-sunset lightWithers gray-green, and takes the grass's tone.
Science, freedom, beauty, adventure: what more could you ask of life? Aviation combined all the elements I loved. There was science in each curve of an airfoil, in each angle between strut and wire, in the gap of a spark plug or the color of the exhaust flame. There was freedom in the unlimited horizon, on the open fields where one landed. A pilot was surrounded by beauty of earth and sky. He brushed treetops with the birds, leapt valleys and rivers, explored the cloud canyons he had gazed at as a child. Adventure lay in each puff of wind.
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