A Quote by Hilary Mantel
For historians, creative writers provide a kind of pornography.
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Inevitably, the flood of literary pornography loosed on us is dulling our reactions of surprise or shock. Its writers are forced to raise the ante, to provide stronger and stronger stimulants. Or try to provide them, since both the manner, the naming of parts and the few inexpressive four-letter words, and the matter, are narrowly limited.
I don't think I would ever write a book with what anybody could call pornography in it, because I feel that pornography is a cheat. It is an attempt to provide sexual experience by secondhand means. Now sex is a thing which has to be experienced firsthand, if you are really going to understand it, and pornography is rather like trying to find out about a Beethoven symphony by having somebody tell you about it and perhaps hum a few bars. It's not the same thing. Sex is primarily a question of relationships. Pornography is a do-it-yourself kit--a twenty-second best.
That historians should give their own country a break, I grant you; but not so as to state things contrary to fact. For there are plenty of mistakes made by writers out of ignorance, and which any man finds it difficult to avoid. But if we knowingly write what is false, whether for the sake of our country or our friends or just to be pleasant, what difference is there between us and hack writers? Readers should be very attentive to and critical of historians, and they in turn should be constantly on their guard.
Fact-checking doesn't exist primarily because some of us are liars and cheats. It exists because writers will be writers, much as they may mean to be historians.
Pornography is about images that are repeated, saturated. Images of the human body, not nature. What I find in pornography is precisely the repetition of the same: the clichés of pornography. There can be no real transgression, just an image that repeats itself.
I'll defend child pornography, how about that? What's wrong with seeing some child pornography? What if you watch child pornography because you find it hilarious? Then should it not a protected freedom of speech?
For example, I'm a great fan of pornography, but I don't see any reason not to restrict it so that people walking down the street who hate pornography don't have full color pictures outside of movie theaters. Let them be in a different district. I'm kidding about pornography, but you get the point.
The plague of pornography is swirling about us as never before. Pornography brings a vicious wake of immorality, broken homes, and broken lives. Pornography will sap spiritual strength to endure. Pornography is much like quicksand. You can become so easily trapped and overcome as soon as you step into it that you do not realize the severe danger. Most likely you will need assistance to get out of the quicksand of pornography. But how much better it is never to step into it. I plead with you to be careful and cautious.
Americans are in vital need of the instruction that historians can provide.
I heard a statistic, and this one blew my mind, that 1 out of every 4 men in the church are involved in pornography. And yet, when was the last time you heard a pastor talk about pornography? ... Talk to people in law enforcement, and they will tell you that the great majority of sexual assaults were perpetrated by people that were looking at pornography and they wanted to make a reality what they were seeing in the pornography.
The best writers attempt to become alternative historians.
Like Thornton Wilder said, time is not a river, but rather a landscape that you step in and out of. I've always found that true of creative work, and I've heard so many songwriters and writers in general say the same thing... When you're going into the realms of your self and trying to tap into the mystery of this creative source, linear time kind of falls away.
Most of what I do is for creative people - writers and painters and photographers - trying to work through creative problems.
Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
Biographers use historians more than historians use biographers, although there can be two-way traffic - e.g., the ever-growing production of biographies of women is helping to change the general picture of the past presented by historians.
Writers know - especially new writers - [that] a lot of it [creative process] is the prewriting stage, the talking, brainstorming, the narrative arc and the character sketches.
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