A Quote by Hilary Mantel
I think the monarchy today is.?.?. mildly interesting and largely harmless. I can't find I can get very heated about it. In the next couple of generations, it is bound to go.
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If the monarchy were removed tomorrow, it wouldn't have a huge effect on the national mind-set. The monarchy is mildly interesting and largely harmless. I can't find I can get very heated about it. In the next couple of generations, it is bound to go. There is so much else in the world that is more interesting.
I'm so excited. I love Peeta so much. I think that over the course of the next couple of books, he has so many interesting places to go to, character-wise. I'm ready to dive full-force into it. When I saw the movie actually, it got me energized. 'Let's go get some cameras! Let's go shoot the second one right now!'
We exchanged a couple of ideas and stuff like that, but that's about it. I just think ... consulting on 'Tintin' was very interesting because you try to ... not educate, but inform the animators [about] what the lighting looks like, but [in the end] they do it themselves. I don't actually go and sit there with them. [We] just had a couple of conversations.
I've just been watching other people's releases and learning from their mistakes. I know I'm bound to make a couple of my own, but I've got a couple ideas that I think are going to help get it out.
I think the greatest thing we give each other is encouragement...knowing that I'm talking to someone in this mentoring relationship who's interested in the big idea here is very, very important to me. I think if it were just about helping me get to the next step, it would be a heck of a lot less interesting.
It's a historical fact that the Stasi did horrible things and that they monitored a lot of people in East Germany, but I find it very interesting to think about the importance of the Western secret services back then and still working today.
Probably the most difficult scene to film was the one where I'm attacked. I haven't thought about it in a while because, in hindsight, you make jokes about it and you get funny stories from it. When I was talking about it earlier today, I started to realize that it took a couple days probably to get over. Even if you can laugh about it, it's still the physical things that your body has to go through, it's pretty insane.
I feel the same way when I meet somebody in Los Angeles, because I'm from Winnipeg. I'm just a very ordinary girl that something extraordinary happened to. So, I'll go to an event and, say, stand next to Charlize Theron and be like, "Oh my God! This is incredible!" And then you get to talk to her and you find out she's a real person. She's a mom and very interesting. I'm constantly thunderstruck by people that I admire.
I get very heated about anything that is socially unkind.
The women of today are the thoughts of their mothers and grandmothers, embodied and made alive. They are active, capable, determined and bound to win. They have one-thousand generations back of them... Millions of women dead and gone are speaking through us today
I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid.
I'm selfish, I think. I think an artist has to be. I'm not worried about what people think. I play the parts that I find interesting. It'd bother me more to be just pigeonholed into doing what people think is ethical or that's boring to me. I don't pick parts with that in mind, I just find interesting stories. If it's interesting to me, then I do it.
The 'Next Generation' and 'Voyager' are about even; I think 'Voyager' is mildly superior, although Picard is the quintessential captain.
It used to be irritating just because someone can meet you and before they would get a chance to get to know you, they’ll go find someone else’s story about who I am. For me personally, I just always think it’s more interesting to get to know the person myself.
Some artists go through life not realizing that they have to be happy today. They're always thinking about the next job or the next thing: "I'll get this, then I'll be happy." Then you're miserable.
We're very specific when we're drawing work plans. We think about the chances of when a person gets off the elevator where they will go. We think about how people get to a coffee machine, when they go and get their lunch, when they go to the bathroom.
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