A Quote by Hilary Mantel

My childhood gave me a very powerful sense of being spooked. I didn't know whether what I was seeing were sensory images of other people's unhappiness. Perhaps that was just the way the world manifested itself to me.
My whole childhood, that made my skin curl. I was looking for something authentic. I think that drove me into the arts, I really do. That really did it. The only other thing that made me survive, as a human being, was getting into the arts. I was surrounded by people that were very bright and they invited you in. They were gracious. So, it gave me a great education.
Oh God, God, please come to me, please illumine me, please act in me and through me. I don't know what's right and what's wrong. I can't tell anymore. I could be doing what I feel is right and perhaps I'm deceiving myself. Perhaps it's all my ego and my vanity. Please show me what's right or don't even show me. Please just do it, whether it brings me happiness or unhappiness, riches or poverty, sorrow or joy. Please act in and through me. I love only you.
I been seeing other people work with Belaire like DJ Khaled, Rick Ross, and stuff like that. But other than that, I just wanted to work with them because they showed me mad love and were genuine when we were locking in the deal. For me, it had to make sense and be genuine, and this partnership definitely felt that way.
I was a very determined kid. I couldn't imagine any other life for myself. This happens to kids who are different in any way. How am I going to make a life? Who am I going to be when I grow up? Will there be a place for me in the world? Acting gave me a sense of purpose, but it also gave me a sense that I would survive, that I would find my place.
I understand if everyone looking at me is seeing a Jew and seeing me as a kind of 'other.' But I can't be expected to see myself that way. That is, to me, Jewish is the normal way to be; it's not a type of being.
Unless you stop him. Perhaps next we meet." "You'll be just as annoying?" I guessed. He fixed my with those warm brown eyes. "Or perhaps you could bring me up to speed on those modern courtship rituals." I sat there stunned until he gave me a glimpse of a smile-just enough to let me know he was teasing. Then he disappeared. "Oh, very funny!" I yelled.
The peculiarities of my childhood, of constantly moving through so many different cultures, of always being the outsider, may have made me extraordinarily self-sufficient, but it had also bred a certain detachment, a sense that the world was a place to explore rather than truly inhabit. This manifested as a kind of shyness, even timidity.
My poems are certainly in the lyric tradition, but perhaps a reader can tell me more precisely who I am as a poet. How can I be so old and not know? I have always been deeply grateful for the urge to write, the desire to create, that's certain. Writing has always been the way I make sense of life. Perhaps my poems define me, rather than the other way around. They do constantly surprise me.
All my life I have had an awareness of other times and places. I have been aware of other persons in me. Oh, and trust me, so have you, my reader that is to be. Read back into your childhood, and this sense of awareness I speak of will be remembered as an experience of childhood. You were then not fixed, not crystallized. You were plastic, a soul in flux, a consciousness and an identity in the process of forming--ay, of forming and forgetting.
Over the years, I think, more and more, I've come to recognize that my parents - not in a didactic or explicit way, but in a very powerful way by their example - gave me a sense that government could be a force for good.
Smell can conjure up memories for me stronger than any other sense. Especially childhood memories. Perhaps because you were that much shorter and therefore closer to the ground and its smells.
What we're focusing on is the images that were in people's minds being replaced by fresh images, to make way for the rebirth of New Orleans. We're showing the other side.
Being from Africa is the best thing that could have ever, ever happened to me. I cannot see it any other way. All of my fundamental principles that were instilled in me in my home, from my childhood, are still with me.
Perhaps the most important contribution to me being centered in the midst of this chaos is my daughter, Krystal Ann. I am very lucky because she works with me and is responsible for many aspects of the business on the marketing side of my career. This allows us to travel together and experience life on the road, seeing the world. Having family with me is very important and grounding.
Normally we will say we are happy or we are unhappy. I have met some people who told Me, "Oh we went to that Guru we were very happy." I said, "You could be happy in the pub also. What is happiness?" Happiness is not the way to judge any one, neither unhappiness. Unhappiness comes to you through this super ego and happiness through this ego. But joy has no double face, joy is joy. In joy, you witness, you witness the whole thing. And when you are joyous you feel the whole thing, the joy itself coming on you like grace falling on to you. It's so beautiful that you just get lost into it.
I just feel like it's fascinating to me just watching my own family, seeing my cousins have children here, seeing the generations go on, and seeing how people are still very connected to their home, but are actually, of course, Americans too. That sort of a hybrided sense of self is something that I yearn to see more of expressed.
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