A Quote by Hilary Mantel

Like every writer, I'm drawn by unlikely juxtapositions, precisely-dated and once-only collisions between people from different worlds. — © Hilary Mantel
Like every writer, I'm drawn by unlikely juxtapositions, precisely-dated and once-only collisions between people from different worlds.
I’ve always liked edges, places where one thing becomes another…… transition zones, boundaries and borderlands. I like the mixing that happens, the juxtapositions, the collisions and connections. I like the way they help me see the world from a fresh angle.
There are now no more horizons. And with the dissolution of horizons we have experienced and are experiencing collisions, terrific collisions, not only of peoples but also of their mythologies. It is as when dividing panels are withdrawn from between chambers of very hot and very cold airs: there is a rush of these forces together.
The higher worlds are around us. These worlds are not only heavenly worlds, not only worlds of happiness, though paradise and happiness are in them, but they are also worlds that could be terrible for the people, by dangerous facts and creatures.
Quark-antiquark collisions cannot be realized directly since free quarks are not available. The closest substitute is to use collisions between protons and antiprotons.
Fiction can show you a different world. It can take you somewhere you’ve never been. Once you’ve visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different.
I'm a storyteller, I'm not a literary writer, and I don't want to be a literary writer. People say to me, "Oh, when are you going to write something different?" What? I don't want to write anything different. I'm writing relationships between people, all different colors, all different sizes, all different sexual orientations, and that's what I want to do.
It’s hard for everyone isn’t it? Anyone who says it’s easy is a liar. There’s this huge divide between me and Alex right now because I feel like we’re living in such different worlds, I don’t know what to talk about with him anymore. And we used to be able to talk all night. He phones once a week and I listen to what he’s been up to during the week and try to bite my tongue every time I go into another Katie story. Truth is I have nothing other to talk about but her and I know it bores people. I think I used to be interesting once upon a time.
Where do new ideas come from? The answer is simple: differences. While there are many theories of creativity, the only tenet they all share is that creativity comes from unlikely juxtapositions. The best way to maximize differences is to mix ages, cultures, and disciplines.
It's like playing tennis, you play a different rally with different people. Every actor is different and the chemistry between actors is different.
There are so many different worlds in Long Island. That's why it's so fascinating. Between Great Neck and Montauk, there are 10,000 worlds.
All political arrangements, in that they have to bring a variety of widely-discordant interests into unity and harmony, necessarily occasion manifold collisions. From these collisions spring misproportions between men's desires and their powers; and from these, transgressions. The more active the State is, the greater is the number of these.
I've discreetly dated a lot of people - I once dated a billionaire, mostly because it was fun to say, "I'm dating a billionaire," but we did not have the same taste in music, and it was doomed.
There are parallels between the music and film worlds, but they're really very different. I feel like they're just two different ways to channel my creativity.
There are different worlds, endless worlds, and different beings come from different worlds. In my particular case, I come from the stillness. We call it the dharmakaya, the clear light of reality. I know it quite well.
She watched the gap between ship and shore grow to a huge gulf. Perhaps this was a little like dying, the departed no longer visible to the others, yet both still existed, only in different worlds.
To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.
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