A Quote by Hilary Mantel
I once dreamed a whole short story. Wrapped in its peculiar atmosphere, as if draped in clouds, I walked entranced to my desk at about 4 A.M. and typed it on to the screen.
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I once wrote a short story called 'The Best Blues Singer in the World,' and it went like this: 'The streets that Balboa walked were his own private ocean, and Balboa was drowning.' End of story. That says it all. Nothing else to say. I've been rewriting that same story over and over again. All my plays are rewriting that same story.
Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.
My whole career, I've tried to bounce back and forth between everything, and not get typed out. I've done a pretty good job of not getting typed.
Being typed is not important. For a while vou are typed as one thing. You get out of that. Then you are typed as something else. You can break away from everything except comedy. It's fatal to be typed as a comedian. You can't get out of that.
Just because something is typed-whether it is typed on a business card or typed in a newspaper or book-this does not mean that it is true.
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
I've read science fiction my whole life. I never really dreamed that I'd be a published science fiction writer myself, but a short story I started years ago sort of demanded to be turned into a novel.
When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
I think once everything is in place, once you've kind of wrapped your head around the story and the character, it's very liberating and you can start doing things like you would do.
The light died in the low clouds. Falling snow drank in the dusk. Shrouded in silence, the branches wrapped me in their peace. When the boundaries were erased, once again the wonder: that *I* exist.
Once I wrapped 'Insurgent', I went to Boston and shot a film called 'The Finest Hours.' It's based on a real story in 1952 about a Coast Guard mission to rescue these sinking ships that are caught in a blizzard.
I've always loved short stories. Even before I was a writer I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. Alice Munro, I felt that way about from an early time. Grace Paley.
Once in 1919, when I was traveling at night by train, I wrote a short story. In the town where the train stopped, I took the story to the publisher of the newspaper who published the story.
I'll remember this to my grave. We all walked into a room to see the screen tests. The first screen test was Marion Hutton's. Then came Janis Paige [who ended up with a part in the film]. Then on the screen came Doris Day. I can only tell you, the screen just exploded. There was absolutely no question. A great star was born and the rest is history.
I wake up with the story in my head, so I really like to be at my desk about five minutes after I wake up. So I don't get dressed. I put on a bathrobe, I make tea and sit at my desk.
on that piece of white paper, sam wrote, "write about me sometime." and i typed something back to her, standing right there in her bedroom. i just typed. "i will.
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