A Quote by Hilary Swank
My job is about playing people. And I think once you lose touch with people, what do you play?
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I'm not really interested in playing famous people. I prefer to create characters. And I hope I have an exciting enough life that somebody might make a movie about that one day. I don't want to make movies about other people. I was once approached about playing Salvador Dali, which I thought would've been fun until I found out that he was proud of kicking a blind man across the street. So, I decided, I didn't want to play that guy. So, I think I'll just keep it the way it is.
People move from place to place and job to job, but they no longer need to lose touch.
I think we've done a pretty good job staying in touch with the American people. But at a certain point you can't help but lose some feel for what's on the ground because you're not on the ground.
You can't think and play. If you think about what you're playing the playing becomes stilted. You have to just focus on the music I feel, concenctrate on the music, focus on what you're playing and let the playing come out. Once you start thinking about doing this or doing that, it's not good. What you are doing is like a language. You have a whole collection of musical ideas and thoughts that you've accumulated through your musical history plus all the musical history of the whole world and it's all in your subconscious and you draw upon it when you play
I think everything about it. Just the experience, but mainly performing live for people. I think if it wasn't for playing in front of audiences, I don't think that anyone would want to play music. That's where you get all your gratification. It's just something else to be up on stage, playing music that you wrote and having people enjoy it - and have it mean something to them also.
Once you attain stardom, you lose that finer touch with society. When you are a man on the street, you get to know every vibration. But once you attain this status, more than you, people become self-conscious by your presence.
I don't think that on a daily basis, people need to be so concerned with others think. When someone comes forward and is an individual, such as a Lady Gaga or a Katy Perry, people respond to them because there is that sense of innocence. It's obviously dress up and theatre. I never lost that I think part of that is growing up gay and part is growing up overweight. You never lose that, and I never want to lose touch with that whimsy, that sense of innocence. I also love the reaction it elicits in people. I like that it makes other people happy.
I feel like you are this or that because other people say so. I wouldn't know how to play a psychopath. I don't think about it that way. You think about playing the scene but if the other people say that guy is crazy, then you are.
When you lose touch with inner stillness, you lose touch with yourself. When you lose touch with yourself, you lose yourself in the world. Your innermost sense of self, of who you are, is inseparable from stillness. This is the I Am that is deeper than name and form.
When I play, I stare at the left hand of whoever is playing lead. And I get to know what people are playing well enough that when they start going somewhere, once they arrive, I'm already there.
A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.
Nothing is more bothersome to me than retiring. Weird things happen when you disengage; first you get negative, then you start telling people about your latest surgeries, and eventually you lose touch. I want to stay in touch.
What goes wrong in Washington, D.C. I think some senators and congressman and media people go to Washington, D.C., and they get sucked into this vortex and they lose touch with what's happening out in the rest of the country. That's the problem. If these elected officials refuse to lose touch with their constituents, if they spend more time outside D.C. than inside, if they spend more time talking to constituents rather than pandering to the D.C. elite press corps, I think they're safe.
People talk about the Spurs and how we do a decent job at playing basketball. But there is a deeper meaning to who we are, where we come from, and at the same time, why we play basketball.
Those people who think they know the Gospel, and it doesn't have any meaning for them, they're the people we have to find a way to touch, to invite once again to the embrace of Christ.
We'll play somewhere like London, playing to 2,000 people easy, and every time you play with more people, you think, 'You're a rock star,' and it makes you laugh. I guess I am, but I'm also, you know, not.
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