A Quote by Hildur Gudnadottir

Music is a very physical experience, and I need to understand things physically to be able to create the narrative for them. — © Hildur Gudnadottir
Music is a very physical experience, and I need to understand things physically to be able to create the narrative for them.
We're not in the physical world. The physical world is in us. We create the physical world when we perceive it, when we observe it. And also we create this experience in our imagination. And when I say "we," I don't mean the physical body or the brain, but a deeper domain of consciousness which conceives, governs, constructs and actually becomes everything that we call physical reality.
I think one of the things that happens with, especially in the criminal justice system, is that the prosecutor is able to control the narrative from the very, very beginning. The moment an arrest is made, they put out a press release to the media and the media follows that narrative.
When you're doing a film, narrative is your most important tool, but it's a tool to create a cinematographic experience, to create those moments that are beyond narrative, that are almost an abstraction of that moment that hits your psyche.
When my father passed away, I learned to be unattached to physical things. At a very young age, I was able to roam the world and be emotionally connected but physically disconnected. I'll get homesick in that I miss my mom. My grounding rock is her and my family.
I, as a person, make anything a narrative experience because I experience things linearly. The biggest question for me, is will I go through a transformation? Will I be bored or not? Is it a good or bad narrative experience?
I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.
It's very difficult to understand, but I'm looking for a nonnarrative, multiscreen, present-tense cinema. Narrative is an artifact created by us. It does not exist at all in nature; it is a construct made by us, and I wonder whether we need the narrative anymore.
I'll tell you what you need to be a great scientist. You don't have to be able understand very complicated things. It's just the opposite. You have to be able to see what looks like the most complicated thing in the world and, in a flash, find the underlying simplicity. That's what you need: a talent for simplicity.
I’ve always tried to find God in lots of different things, whether that’s been drugs, women, etc, etc… But all those things are tangible and they exist and you can see them and you can feel them. Music doesn’t exist, physically. Yet is commands ever facet of my personality and it has the power to command people how to feel on a physical level, uncontrollably. And I find that so fascinating.
Creators understand that their emotions are not necessarily a sign of the circumstances. They understand that in desperate circumstances they may experience joy, and in jubilant circumstances they may feel regret. They know that any emotion will change. But because emotions are not the centerpiece of their lives, they do not pander to them. They create what they create, not in reaction to their emotions but independent of them. On days filled with the depths of despair, they can create. On days filled with the heights of joy, they can create.
Music makes me forget myself, my true condition, it carries me off into another state of being, one that isn't my own: under the influence of music I have the illusion of feeling things I don't really feel, of understanding things I don't understand, being able to do things I'm not able to do... Can it really be allowable for anyone who feels like it to hypnotize another person, or many other persons, and then do what he likes with them? Particularly if the hypnotist is the first unscrupulous individual who happens to come along?
I have an experience with as many of my readers as possible that's really genuine. I love it when they write to me, and I'm able to send them things. I love meeting them in person, and even if it's only for a moment I love having that physical, touching interaction.
The phantasmagoria, the actual experience that we try to understand and organize through narrative, varies from place to place. No single narrative serves the needs of everyone everywhere.
Physically touring is tough on me, not that I am weakling. I lose weight. I can't always find the things I need to keep my strength up. It is very draining physically. It is taxing for my mind and body, but in a good way. It feels healthy in a way to purge things out of my system every night.
I think music is just a wonderful ingredient that helps us understand a scene better. And certainly you can overuse music, and you can use the wrong music. I probably have been guilty of these things over time. But if you use music correctly as a friend of the theme, a friend of the narrative, ou can lend some terrific connective tissue to a film.
In the world of the very small, where particle and wave aspects of reality are equally significant, things do not behave in any way that we can understand from our experience of the everyday world...all pictures are false, and there is no physical analogy we can make to understand what goes on inside atoms. Atoms behave like atoms, nothing else.
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