Being a classical musician I'm fascinated with how my colleagues, not just singers, but every musician finds ways to express something else or something new or the same ol', same ol' in classical music. I'm always in dialogue with other musicians at least orally, if I can't be with them and a lot of dead musicians as well. I've learned a lot from dead people on recordings.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
I grew up with the Woodstock generation. I went to Woodstock, and like everybody in my school, I wanted to be in a rock-and-roll band, and most of us were. But I also grew up with a lot of piano lessons and a lot of classical music training.
I grew up in a family where I had a lot of different siblings from - you know, I grew up in a big family, and I think it's a beautiful thing.
Being from a classical environment, I've always been provoked by classical musicians thinking that classical music is so much greater art than pop. I've always been annoyed by that.
Imagine if you grew up in a place where your lineage was there for a hundred years, and part of the culture was to play music 50 percent of the time. You'd probably have a lot of musicians in your family too.
I have a real hunger to experience life. I'm really, really inspired by my family. I grew up with my family, really did a lot; we took a lot of road trips, we did a lot of different businesses, we'd always tried stuff. For me, that just kind of sparked something from the time I was a kid.
I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.
I grew up listening to - it's kind of embarrassing - all classical music.
Family is something that I grew up with, and the Mexican culture has a lot of, you know - Sunday is the day you spend with your family, and you have 40 to 50 people at your house, the uncles and the cousins, and I grew up with that.
I grew up in a family that was very musical, learned the blues and everything like that. And I became a little bit frustrated with the simplicity of rock n' roll and blues. I started listening to a lot of classical music - mainly Bach, Vivaldi.
I grew up in a Navy family, and like most service families, we traveled a lot and moved a lot. I grew up on both coasts and in the suburbs of Washington, D.C., in Rockville, Maryland, and have had a great time doing it.
And what classical music does best and must always do more, is to show this kind of transformation of moods, to show a very wide psychological voyage. And I think that's something that we as classical musicians have underestimated.
I grew up with a lot of classical music around.
I wanted to live in the suburbs and have a white picket fence and my own bedroom. And a staircase - I thought having a staircase meant that you were a normal family. I thought somehow if you could transplant us to the suburbs, we would become a normal family. But in retrospect, I'm so grateful I grew up in the Chelsea.
I grew up on my dad's sets, but I was never star-struck or desperate to be famous. I grew up being a worker. It took me a long time to realise that my work ended up being seen by people. As far as I was concerned, I was just in the family business.