A Quote by Hildur Gudnadottir
You know, I don't like talking about music very much. I have quite the hard time explaining myself.
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I feel like I have to be a walking encyclopedia - I constantly have to be explaining myself - especially when I do table work or when I'm talking to a dramaturg about, you know, the culture, but also what I'm trying to do as a writer in this particular play. You know, you have to protect yourself too.
I'm a very private person, so obviously I don't enjoy talking about more personal matters. But at the same time I care very much about my work and I would like people to know that it exists. So I appreciate that there's a meeting point, where I would like people to know about the work that I'm doing, and that requires me to talk about it.
It's hard talking about acting, in a way, because it's like explaining a joke: I do think it loses something in the telling.
I mean, the way I'm talking, it sounds like I'm - you know, I'm about to go out and sign up for the nearest seminary, and you'll never see or hear from me again. But it's a hard thing to talk about really 'cause I'm not at all sure myself about it. But I've got a very, very simple sort of outlook to it. Yeah, that's all I can say, really.
I'm very sensitive - I'll cry during every movie or commercial - but when it comes to my own feelings, I don't really think about them that much unless I'm making music. Otherwise, I'm either checked out or laughing because that's how I do regular stuff. I have a hard time talking about my feelings.
I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.
I don't like talking about myself; I like to let the music be the spokesperson for me. So doing a memoir and all that chronological 'and then this happened and then blah blah' doesn't appeal to me that much. I think there's more mystique in what you don't know about.
I think they find it - they find me quite confusing, because - they know the music, but they don't know anything about me because I keep a very private lifestyle so they end up making up stories as such. But I don't really concern myself too much about them.
I find it very, very hard doing what the law on DACA says exactly to do, and you know, the law is rough. I'm not talking about new laws. I'm talking the existing law is very rough. As far as the new order, the new order is going to be very much tailored to the - what I consider to be a very bad decision.
This may sound a little West Texan to you, but I like it. When I'm talking about.. when I'm talking about myself, and when he's talking about myself, all of us are talking about me.
We're sitting in here, and I'm supposed to be the franchise player, and we in here talking about practice. I mean, listen, we're talking about practice, not a game, not a game, not a game, we talking about practice. Not a game. Not, not... Not the game that I go out there and die for and play every game like it's my last. Not the game, but we're talking about practice, man. I mean, how silly is that?.. And we talking about practice. I know I supposed to be there. I know I'm supposed to lead by example... I know that... And I'm not... I'm not shoving it aside, you know, like it don't mean anything. I know it's important, I do. I honestly do... But we're talking about practice man. What are we talking about? Practice? We're talking about practice, man.
I very much like writing about homosexual relations. I don't quite know why. Perhaps it's because I feel there's still so much to be said about them.
I don't want to get so lost in thinking about me and talking about me all the time in interviews. It's so nice to unwind and just look at other things and get out of yourself. It's hard to detach myself from myself without neglecting myself. You know what I mean? I don't want to get in to the habit of thinking about my career because when it comes down to it, it's not really that important. I could die tomorrow and the world would go on.
I still have a hard time just calling myself a musician. If I'm talking to somebody and they ask me what I do, I say I play music.
I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.
I think what's surprised me about the music industry is that you never know what's going to happen. I've had to teach myself that, because I love to know everything. I'm quite a control freak when it comes to stuff like that.
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