A Quote by Hillary Clinton
Like it or not, women are always subject to criticism if they show too much feeling in public.
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There's a lot of criticism on how an actress is aging. Why do we do that with women? I work with a lot of men who take terrible care of themselves - they drink too much, or they eat too much. We need to allow women to age.
I have to always make sure I don't stay in one place and spend too much time one subject. I have my wife tell me [through an earpiece], "Come back! You're taking too long on that subject." I need to be reeled in.
My subject has always been women. And I don't want to sound, like, preposterously idealistic, but I would like, in my lifetime, to experience a world where women, all kind of women, can connect and support each other.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
It's really important for women in the public eye to be open - these pop stars who don't look, behave, speak like real women - that's not fair on women. Being real, honest, authentic - too many women in the public eye are afraid to be authentic because they are afraid they will be judged.
If you pay too much attention to the criticism of the one who is inferior, then you must endure the constraints of the plane to which you have descended without feeling hurt.
I do think that it's always okay to show too little. People will still be interested. So why show too much?
In a democratic age, only the behavior of the authorities is subject to public criticism; that of the people themselves, never.
I don't know why I've always been uncomfortable being too feminine. If a dress has too many flowers on it, if I'm giggling too much, I'm like ugh, put some combat boots on. I love masculine women. I think it's because I'm like a fake lesbian, I don't know.
I think it's inevitable that some of the court's decisions will be found by a segment of the public to be not the right decision or subject to criticism.
Women are as much politicians as men, and I hope that more and more women will enter public life through politics, as this would not only increase participation of women in public life but also have a salutary effect for the amelioration of women's status in India.
I like to show ordinary people reacting to extraordinary circumstances. It's an opportunity for adventure, and I like women to have adventures. There's been far too little of it with women.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
My feeling is that for years now it has taken a much too big part in how women are being visually defined today. Heartless retouching should not be the chosen tool to represent women in the beginning of this century.
Looking at the shape of the world, I see how we're in a time where women are the subject of hatred, fear, and we have to fight that all the time. I feel that there are fights we take for granted. When I look at the world, I see that women are subject to cruelty. And that's why the global gag rule means so much to me, that the United States wouldn't stand up for the rights and health of women.
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