The clearest way to know whether you are with a poor person in America is not by the logo on the clothes, because we all wear pretty much the same anymore. It's by looking into their eyes and seeing whether they look into yours, and seeing what kind of teeth they have.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much, you approach the songs in pretty much the same way.
Beauty and fashion are not really local anymore. You really have to be a global citizen to know what trends are. Now, it's pretty much the same designers and the same kind of trends, whether I am in New York, Milan, or Mumbai - it's the same.
You collect art: you must know that the miniature artists, at the end of careers spent painting the tiniest, most exacting details that no one would ever look at, would often put their eyes out with needles. Too much beauty, yes, but also too much seeing. They were tired of seeing. The dark was safe and warm and comfortable. Blindness was a gift. I still have seeing to do.
I don't want to come across as a pretty looking girl. Because it is very easy - wear good clothes, wear good make-up, and you'll look good. I know my abilities.
All things are spiritual. It doesn't matter what you do or who you are or what kind of blue jeans you wear, or whether you wear an ochre robe or whether you're sober or asleep or dreaming. It's all the same.
Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.
[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
I love looking and seeing what kind of shoes women wear. I think that tells me if a person knows what they're doing. To me, shoes are... If I like your shoes, and you're pretty, that's a good quality. As well as being confident.
I guess I was a little bit nervous, because there seemed to be so much secrecy with Ben [Stiller] wanting to make sure that it was a surprise when we walked out on the [Valentino] runway. I remember showing up at Place Vendôme and doing the fitting and seeing the pajamas that I was going to wear - which I like very much - and seeing Ben arrive kind of in disguise.
And now I was trying to brush my hair,you know,when I thought about it,and looking at myself in mirrors,wondering if I was pretty.Pretty! A year ago,when my haair got in my eyes I hacked it off with a knife.The only thing important about my clothes was whether they were to stiff to move fast in battle. And Fang had been my best friend and an excellent fighter.
A good DJ is always looking at the crowd, seeing what they’re like, seeing whether it’s working; communicating with them. Smiling at them. And a bad DJ is always looking down at what they’re doing all the time and just doing their thing that they practiced in their bedroom
When I meet someone, I look at their eyes and their smile and seek out the good first - it's easy to find when you're looking for it. You let a person shine with their own light and try to connect it to yours. As soon as I say hello, I go right to that light and I don't care who you are! I know we're all pieces of the same thing - I go for that common light because I know it's in all of us.
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
I understand if everyone looking at me is seeing a Jew and seeing me as a kind of 'other.' But I can't be expected to see myself that way. That is, to me, Jewish is the normal way to be; it's not a type of being.
I'm shooting a gangbanger, but as a dignified man. That's pretty much what war photography did: seeing images of soldiers in a dignified way. They might have been killers in Vietnam, but I'm seeing another side of them, and looking at images of the the American soldiers, also the North Vietnamese and the Viet Cong - I never saw an enemy.