A Quote by Hillary Clinton
I don't want to get into some sort of back-and-forth on insults because that just drags everybody down.
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Everybody goes to the funeral, but everybody laughs when it's funny. While entertainment is happening, that's just what it is, entertainment - until it crosses over into a whole 'nother situation. And now, me maturing, I look back at a lot of things, pushing forward, some things won't get my attention. Some things don't deserve my energy. I won't put forth so much on things, you got to focus on what's the matter at hand. That's to put out timeless music, and great albums.
I think that people have some sort of vision that everybody is moving towards perfection, and that there is some sort of set steps or something like that that you can move through to get to that place, and that that's sort of the project of being alive.
Everybody has had that experience where your friend drags you to a party because the person they're crushing on is there, and you don't really want to be there but you go there with them anyway.
I'd love to go back to the U.S. Open, where it sort of all came crashing down for me in 2012, and sort of conquer that place. And by conquer, I mean just get back out on the court there. I have a lot of demons from that place.
Just think about it yourself; you don't want to put the [cat's] litter box down the basement because that's too far, on the other hand you don't want to put where everybody is traipsing in and out the back the door.
I had some dark days, but not once did I think I wouldn't play again - it was just a case of what sort of level I'd get back at. Would I get back to where I wanted to be?
I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.
Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.
It's easier for me to get comedies made because of my track record. Everybody needs to find their niche. I love dramas, but I understand that I am still just a young man in moviemaking. I know there will be some time to get back to that.
Anything that drags down the American economy drags the Canadian economy down with it.
I don't mind people putting us down, because if everybody really liked us, it would be a bore. You've got to have people putting you down. It doesn't give any edge to it if everybody just falls flat on their face saying, "You're great." We enjoy some of the criticisms as well, they're quite funny; some of the clever criticisms, not the ones that don't know anything, but some of the clever ones are quite fun.
What drags down our entire economy is when there's an ever-widening chasm between the ultra-rich and everybody else.
Everybody should write a book whether you get it published or not because the experience of sort of taking it all and throwing it down on paper is unbelievably cathartic.
Writing is a deep-sea dive. You need hours just to get into it: down, down, down. If you're called back to the surface every couple of minutes by an email, you can't ever get back down. I have a great friend who became a Twitterer and he says he hasn't written anything for a year.
I actually find in America, there's a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn't exist in the same way in Britain. And I imagine it would be worse. In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it's much more prevalent in America. I'm really intrigued by it. I don't know why that is. But I'm aiming to break down those barriers by being in a Shakespeare film and a Smurfs film within six months of each other.
You just want to put the ball in play, whether I want to throw it downfield and it's not there, so I check it down, and it's a productive play and let the running back get a first down. Just keep the chains moving.
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