A Quote by Hillary Clinton
A psychologist once told me that for a boy being in the middle of a conflict between two women is the worst possible situation. There's always a desire to please each one.
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There is a conflict in the Middle East between two entities, and they're both right, each in their own way.
Being a venture capitalist to me is like being more of a psychologist. So if you come to my office we have two chairs with a table in the middle. And we sit down and it's like, Tell me your problems.
I've always seen 'Y' as an unconventional romance between a boy and his protector. It was always about the last boy on Earth becoming the last man on Earth, and the women who made that possible.
The battle between two men over a girl is the same as the fight for two men over a piece of land. It is all about desire. There is no difference between a love triangle and the conflict between Israel and Palestine.
The abstractionist and the materialist thus mutually exasperating each other, and the scoffer expressing the worst of materialism, there arises a third party to occupy the middle ground between these two, the skeptic, namely. He finds both wrong by being in extremes. He labors to plant his feet, to be the beam of the balance.
Directing is more like you're being a psychologist and you're kind of analyzing the situation and evaluating each person for their idiosyncrasies.
In middle school, I was boy crazy and it was the worst! I would always lose, too. I was more into the competition than the boy by the end of it! I just wanted to win!
If love exists between two persons, it is blessed. If love does not exist between two persons, then all your laws put together cannot bridge them. Then they exist separate, then they exist apart, then they exist in conflict, then they exist always in war. And they create all kinds of trouble for each other. They are nasty to each other, nagging to each other, possessive of each other, violent, oppressive, dominating, dictatorial.
I like movies that deal with trapped men. Men that need to make choices that are not obvious or easy choices. Then how do you visualize this? You create this character conflicted between two sides, because drama is about the conflict of two things, between your duty and your will, between what you want and what you can't have. It is all conflict between two things, and this is why you put your character in a place where you can visualize the conflict.
I dont agree with those who think that the conflict is simply between two religions, namely Christianity and Islam... To me, the key conflict is between irrational blind faith and rational, logical minds.
When you see love between two persons, something is flowing, moving, changing. When there is love between two persons they live in an aura, there is a constant sharing. Their vibrations are reaching to : each other; they are broadcasting their being to each other. There is no wall between them, they are two and yet not two - they are one also.
If women are doing a Ph.D., they have a conflict between raising a family or finishing the degree, which is just at the worst time - between the ages of 25 to 30 or whatever it is. It ruins the five years of their lives.
Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy.
I've always been terrified about being bored. I always think being bored is the worst thing. The only strategic decision I ever made as an actor was to try and make each job as different as possible.
The world is rapidly being divided into two camps, the comradeship of anti-Christ and the brotherhood of Christ. The lines between these two are being drawn. How long the battle will be we know not whether swords will have to be unsheathed we know not whether blood will have to be shed we know not whether it will be an armed conflict we know not. But in a conflict between truth and darkness, truth cannot lose.
[While designing] I'm mixing two lines of thought really: me as a designer for women and then me as a man. At the start of the design process it's the designer for women that comes to the forefront - sketching and revising the silhouette. Then the man comes into the picture - and I look at the shoe from a very masculine point of view. Then there is a conflict between the two sides of me. Sometimes the man wins, and sometimes the designer wins.
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