A Quote by Hillary Scott
I absolutely love the fact that they are looking out for me and it's not really even just Charles and Dave. Out on the road, I'm one of very few girls out here. There's a lot of pseudo big brothers who are keeping an eye out on me.
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I'm so interested in the feminism of women in American music. These ladies, going out on the road, way before the opportunities and advantages that I have - it was absolutely rough out there. The fact that they were still able to get their art out there and do what they're doing is really impressive to me.
There's a lot of girls out there that can relate to me. They can look at me and see themselves a little bit. There's a lot of girls out there that have a tougher side to them. I just think that people are really grown and attracted to that, and that's why people like to see me fight.
So I learned another system: When in doubt, keep it out – out of earshot, out of the house – even if this meant, really, just keeping it in.
I don't really hang out with people. I like to be by myself. In fact, I've been arrested a few times because I like to walk around at two or three in the morning, looking at shop windows. The cops take me to the station and fingerprint me. But I wouldn't call that hanging out.
When lorry drivers come up behind me and I'm cycling, innocently keeping to my side of the road, and they decide because they are so big, and their lorry is so powerful, and they just want to clear me out of the road, and they hoot aggressively, then I do see red a bit. I do.
"I guess I've been waiting so long I'm looking for perfection. That makes it tough."
"Waiting for perfect love?"
"No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for."
My writing was very much like my diary, and I just put it out there to put it out there because I didn't really know what I was doing. The fact that people related to the songs made me feel less alone in a lot of situations.
I am fairly embraced by the Hollywood community, and I love making movies and I love acting, but I'm not real crazy about the Hollywood system. So the fact that they embrace me is a shock to me because I tell them to kiss my ass all the time. I don't understand why they haven't thrown me out on my ear. The other thing is I don't participate much. I have very few friends within the movie community. I hang out with some guys I've known forever. They're all broke and eat me out of house and home. But I stay home mostly and I don't go to the parties. Maybe that preserves me.
Every day, some act of kindness comes my way, even if it's just someone opening the door. It happens every day if you keep an eye out for it. Keeping an eye out, that's the key.
Even when I go out to the ring, yes, I am the big, bad heater monster, but I'm out there showing young girls that I can still be athletic just because I'm a big, bad heater. I can still go out there and cut promos like the other pretty girls and wear my hair down and put makeup on and do everything that they say that you can't.
With James Brown, I just learn the lyrics and then get out there and get funky with it and let my spirit free. But doing Charles Bradley, it's a lot of true, intimate words coming out of me that show me the picture inside myself.
I absolutely am a big Call of Duty fan. Every time a new Call of Duty comes out – I never play the games online, but I play the solo version super fast. My family knows not to interrupt me the day they come out, they know it's a sacred date for me. I think my favorite visually, of all of the Call of Duty games -- even if it's not as sassy and high tech -- is World at War because. That game has some really incredible episodes in Berlin and the Japanese fields. It's really quite arresting for me, visually, and it was very immersive. But I love Modern Warfare, too.
The people that have looked out for me and helped to steer me in the right direction, I just can't thank them enough. So, the drive, a lot of times it just comes down to looking around at the people who love and believe in you and realizing that you owe it to them. Even if I have a bad attitude on a certain occasion, I owe it to all these people around me to just come out and drive, push, and try to make this thing the best that I can
Every time I went out, someone had to look at me or talk to me, and I just got sick of it. Now I have a very anonymous life, which I really love, and then I come to New York, and people bug out of me.
I remember we were out on the road when the album finally came out in February 1973. I listened to it in my hotel room and just got this really big smile. I was thinking, 'It's amazing, we're really pulling this off'. The album was very, very unique and very, very different. I was really proud of the songs, especially 'No More Mr Nice Guy', 'Billion Dollar Babies' and 'Generation Landslide'.
My process is walking down to the locker room, laying everything out to how I like it. I'm very particular about setting up my bags and my dressing situation. I love to pull out that portable speaker and blare music even if nobody else likes it. To me, its just keeping everything the same every single night.
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