A Quote by Hilton Als
I think that if you feel imaginatively towards a subject, you really shouldn't do it in a journalistic context, because then you're just fabricating, and that's crazy.
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If I feel like I haven't really tapped into the essence of the story when I do an assignment, I may revisit it on my own, and that's when I feel freer to add my imagination. But I think that if you feel imaginatively towards a subject, you really shouldn't do it in a journalistic context, because then you're just fabricating, and that's crazy.
Honestly, I think the key () has been, treat every assignment as if it’s your first one, you know? I think there is a misconception, especially that students have and I really make a point when I speak at schools to talk about the fact that you never really arrive. You are always working towards something but you never stop. I think there is this crazy idea that you get somewhere and then everything is cool.
Initially, he worried that he might be going crazy. But then he decided if you felt you were crazy you weren't really crazy because he had heard somewhere that crazy people didn't know they were insane.
I don't think in terms of that bizarre tautology 'value for money' in my literary and journalistic work - and nor will I in my academic role. However, if I don't believe I'm helping my students towards a fuller and more empowering relationship with the world, then I'll resign.
There are probably people who think I'm crazy for doing what I'm doing and they're probably right. Compared to them, compared to the way they think and feel and are so bound by norms then I am crazy, but insane or enlightened, it's all pretty close. I would say it's just how you look at it.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
The Chinese have a theory that you pass through boredom into fascination and I think it's true. I would never choose a subject for what it means to me or what I think about it. You've just got to choose a subject - and what you feel about it, what it means, begins to unfold if you just plain choose a subject and do it enough.
I call myself good crazy because I am a crazy normal. But who is normal really? Are you normal? Maybe you are, but I don't think a lot of us are normal. I think a lot of us are scared to say that we are a little crazy. I'm a little crazy that is just the way it is. I look in the mirror now and I like who is looking back at me. I am comfortable in my skin for the first time in my life. I have let a wall down.
As much as we think we are as artists, we think, oh, you know, we're going to do this, we're going to do that, and really at the end of the day it's the fans that make that determination. Because if they don't buy it, stream it, share it or talk about it, then you're just a crazy person with an idea.
I think context, location matters a lot. Because location obviously in my situation, it's the space in which the work is going to be exhibited. And since some of the work I do is created onsite, it requires a different type of space, versus the smaller drawings or more subject-oriented work. So that the context becomes important.
I still got a lot to learn about fashion. I'm somebody who experiments, somebody who's finding their way. I'm young, and I don't really know if there's any guide to style in what's right and what's wrong. I just dress as an extension of how I'm feeling. If I feel crazy, then I'm gonna rock something crazy.
The various forms of education or ‘normalization’ imposed upon an individual consist in making him or her change points of subjectification, always moving towards a higher, nobler one in closer conformity with the supposed ideal. Then from the point of subjectification issues a subject of enunciation, as a function of a mental reality determined by that point. Then from the subject of enunciation issues a subject of the statement, in other words, a subject bound to statements in conformity with a dominant reality
I want people to talk more. I mean, I watch Game of Thrones and there's all sorts of crazy nudity in it...and very little of which I can justify, except that it's in a titillating and somewhat exploitational manner, but I don't really feel like that's a subject that people are interested in because it's the same news story.
Love is the biggest thing. I feel that if we all were truly loving to each other, I think life would be better. Even to like, a stranger. They could be going through something crazy in their day and just to show love towards that person.
I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
We're an industry obsessed with the storytelling side of things, the content. And then we got obsessed with the canvas. Is it going to be on television? Is it print? And now the canvas is mobile. But what we really need to think about is the context. The context is where and when the person is consuming it - location, time of day.
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