A Quote by Himani Shivpuri

In the 1990s, when I made my debut, an artiste would get easily stereotyped. So I only got the roles of didis, bhabhis, chachis and buas. — © Himani Shivpuri
In the 1990s, when I made my debut, an artiste would get easily stereotyped. So I only got the roles of didis, bhabhis, chachis and buas.
E-books, which made their debut in the 1990s, cut costs even more for both consumer and producer, though as the Internet expanded, those roles became confused.
I hated being typecast in those roles. It was personally limiting, only playing stereotyped heavies. But I got those roles because I was angry, because that's what I projected. I was angry at my mother and father because they didn't get along, angry at the church. On top of that, I had an extreme lack of self-confidence.
Only heroes get stereotyped. As they do the same kind of roles again and again.
I was 19 when I made my Bollywood debut with 'Ekk Deewana Tha,' and all alone in Mumbai. I would be easily affected by all that was said or written about me.
As an artiste, you get a high when you are given roles that are challenging.
Show business always tries to stereotype you, so that is something you have to fight against no matter who you are. A lot of actors who are of a minority background complain that they only get stereotyped roles, and they are 100 percent correct. However, it's also true that, no matter who you are, you get typecast as well.
A lot of people get stereotyped into roles just from how they look, and I have played such a variety of characters.
I've been offered roles in Indian films, but I wanted my debut film to be from Pakistan. A lot of people think that I've made my music career from India, but that's not true. I made it big in Pakistan, and then I went across the border.
I think you're stereotyped after every film. Post 'Dev D,' I was only offered bold roles. Similarly, after 'Margarita With A Straw,' I was offered roles where I had to play differently-abled people. So, no matter what type of film you work in, people tend to slot you.
People actually were worried that I was going to get stereotyped as a monster after Freddy, but my God, I got stereotyped as white trash for years, the best friend for years, the redneck for years, the nerd for years and let me tell you...it's better to be a monster than to be a nerd.
My debut feature, 'The Baby-Sitters Club,' got good reviews and made good money for what it cost. But it took me six years to get to direct my second feature. I think a guy would have had another movie out the same year.
I had no ambitions to become an actor, whatsoever. I was just waiting for my films to get made and some friends of mine, out of the kindness of their hearts, because I was sitting around doing nothing, started casting me in small roles and the roles got bigger.
Roles constantly have to be redefined in any form of entertainment. Look back at the gangster pics of the 1930s and 1940s and the way James Cagney or Humphrey Bogart would play the part. These roles were redefined in the 1970s by Al Pacino and Rober DeNiro. And again in the 1990s by Gary Oldman and Anthony Hopkins.
No artiste wants to be boxed. We thrive on challenging roles, and they can come from anywhere. I consider myself blessed to be recognised as a pan-Indian actor. Yes, it means more hard work, prepping more for the roles, but I'm all for it.
Life wasn't easy growing up; it was frustrating. If I had been a better reader, then that would have come easily, sports would have come easily, everything would have come easily, and I never would have realized that the way you get ahead in life is hard work.
I know an actor who would play one type of part but could never get cast as tough. Once he got cast as tough, as a cop, he only got offered cop roles. It's a funny business in that regard. It's all about perception.
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