A Quote by Himani Shivpuri

Theatre especially in Hindi is not enough to help an artiste in earning a livelihood. — © Himani Shivpuri
Theatre especially in Hindi is not enough to help an artiste in earning a livelihood.
Of course you cannot compare my Hindi with a Hindi-speaking person, but I am confident enough to hold a conversation in mixed Hindi-English.
Asim has done English theatre with Naseeruddin Shah and his group, Hindi theatre with Makarand Deshpande, and Marathi theatre with me. He is a hardworking actor - I am not saying this just because he is my son but as an actor and spectator.
After graduating from National School of Drama, I started doing theatre in Delhi. But there was not much money in Hindi theatre.
Earning of livelihood by following some profession is better than living on charity.
I don't see a future for Broadway-style theatre in India. We already have Hindi cinema, but small, intimate theatre will survive as long as people feel the need to talk to each other.
I am also convinced that one gains the purest joy from spirited things only when they are not tied in with earning one's livelihood.
Journalism should never be prostituted for selfish ends or for the sake of merely earning a livelihood or, worse still, for amassing money.
I am learning a lot as a theatre artiste as it gives lots of opportunities to hone my skills as an actor.
Dubbing for myself in Hindi is a big task. I know Hindi. I can read and write Hindi, but I dont normally speak the language, and that is very important.
I'm not a television anchor for a Hindi channel or a radio jockey. So I may not be able to have a spontaneous conversation in Hindi. I'm a Bollywood actress, and I can certainly speak my dialogue in Hindi.
I had done plays, and Hindi theatre pays peanuts.
I am basically a theatre artiste. However, after stepping into cinema, I did not get much opportunity to act in plays.
Fans are half of an artiste... without someone to appreciate him, an artiste is nothing.
A dubbing artiste does a lot of repair work for an artiste who doesn't naturally speak the language they are acting in.
For the theatre one needs long arms... an artiste with short arms can never make a fine gesture.
Now I know Hindi, and I can read and write Hindi, but the problem is that I can't improvise when I am acting because I think in English, so I have to translate my thinking from English to Hindi, and therefore, I speak slowly.
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