A Quote by Himesh Reshammiya

I make singers sing every note fully and wait till they hit the right note. — © Himesh Reshammiya
I make singers sing every note fully and wait till they hit the right note.
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
Beethoven said that it's better to hit the wrong note confidently, than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.
Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.
If I have to hold a note for a long time, I imagine it as moving and spinning, for the note has to have life. In a way, a singer actually refreshes a note with every beat that it's held.
If you don't take no chances, then you're not a performer. Performers always take chances. You go see a singer, they'll hit the high note. They'll hit that note, they're not afraid, they're gonna exaggerate the fact and make me enjoy it, make me say, 'Wow, I wish I could do that!'
If you don't take no chances, then you're not a performer. Performers always take chances. You go see a singer, they'll hit the high note. They'll hit that note, they're not afraid, they're gonna exaggerate the fact and make me enjoy it, make me say, 'Wow, I wish I could do that!
Here's a little song I wrote You might want to sing it note for note Don't worry, be happy In every life we have some trouble But when you worry you make it double Don't worry, be happy Don't worry, be happy now
You could make your fingers reproduce exactly what you felt, if you really worked at it. I achieved it, not only spending a lot of time at the keyboard but finding ways I could make my fingers reproduce my deepest feelings. It meant, when you hit a note with a finger, you sank into that note all the way to the bottom of the keyboard until it went pow! Right?
Here's a little song I wrote. You might want to sing it note for note. Don't worry, be happy.
I can sing in my head and rearrange the tune of a song, note per note. I am a nerd.
If you hit a wrong note, it's the next note that you play that determines if it's good or bad.
I don't remember that I copied any guitar player note-for-note. But I remember copying Charlie Parker note for note.
Secular music, do you say, belongs to the devil? Does it? Well, if it did I would plunder him for it, for he has no right to a single note of the whole seven. Every note, and every strain, and every harmony is divine, and belongs to us.
I can't sing, like, I can't saaang. I'm no Luther! That to me is singing. Being able to hit a note doesn't mean you can sing.
I was just obsessed with soul singers who had these big powerful voices. I used to listen to Aretha, Whitney, Mariah and try and imitate them, note for note and riff for riff.
This site uses cookies to ensure you get the best experience. More info...
Got it!