A Quote by Himesh Reshammiya
If everything in my career has to be made into an autobiography, then there will be people who might think that I am trying to make a statement. But I don't want to do that.
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But that's something I enjoyed. That's the game, the challenge, trying to think 'what am I am aiming to do here? Where do I want to pass the ball? What area do I want to get it in?' Then it's instinct... but that's just me, that's how I was made, that's my make-up.
I'm never trying to make a statement about morality ever. If there's a statement to be made, it's "People are complicated. They do things that may hurt other people, or exploit other people, but they may do them for the right reasons, or out of desperation." I don't judge that sort of "bad" behavior. I'm only interested in a world where people break outside of the norm, and I believe people do whatever they have to do to relieve themselves of pain. I just want to watch and see how that plays out.
If you wish to be miserable, think about yourself, about what you want, what you like, what respect people ought to pay you, what people think of you; and then to you nothing will be pure. You will spoil everything you touch; you will make sin and misery for yourself out of everything God sends you; you will be as wretched as you choose.
I love Jesus Christ with all my heart and everything He stands for. I think that sums up everything that I want for my life, everything I want for my family, everything I want for my career. I want it to be entertaining. I want people to smile and tap their toes, but I want it to be meaningful when the day is done.
I think 'Make love, not war' might be the most profound statement that's ever been made.
I don't want to, I don't plan my career based on what I want people to believe I'm capable of doing. So I just take things that I think might be good or might be fun to do or might ultimately entertain.
I don’t think there's ever been a point in my career where I've said, 'I've made it.' What does that mean, 'I've made it?' Made it to what? If you say, 'I've made it.' then are you finished? I don't want to be finished. I don't want to quit.
I think everything you are, everything that engages you, eventually comes to bear on the novel you write. I think the creative energy in novel writing, obviously, comes from tension. From trying to fuse. From trying to make coherent disparate things that might not at all seem to belong together within a narrative.
I've driven people mad on films that I've made - I want more takes; I want to try new lines. Then I want to interfere in the editing process, and I want to interfere in the advertising process - everything, everything. Pretty much Barbra Streisand in trousers, I am!
People have a preconceived notion about who I am and it's interesting. It's like picking who you want to win for the Oscars and not seeing the movie. Before you make a statement about someone, get all the information and see everything before you make a judgment.
If you're going to make a statement, I think you should write it in prose and make a statement. If you have characters who are mouthpieces for a point of view, then you have to be very clever about disguising it.
And I think the first LP was perhaps too precious. It was our life's work up to that point; there was so much pain in trying to make the perfect statement. We couldn't relax and I think most people missed what we were trying to say.
In my early career as a documentarian, I suppose I was trying to make films which - where it was all about making a big cinematic statement, and I think with 'Marley,' I slightly changed my direction and adopted a more mellow approach.
I haven't yet given everything: I am still full of energy. But I wanted to make it clear that I don't have to make unwarranted concessions to national governments or to parliament. I want to avoid the impression that I am doing things just to ensure that I am re-elected. That's not the case. I have had my career.
Other people want a career or success because they think that will help them find their personal life somewhere. I've done it the other way around. What I have is what everybody else is looking for. I know I've got it made. I know I'm a very lucky man. That came first. Then the music and the career just kind of took care of themselves.
When I made 'Tales of Tacobella,' and I made 'Sugar Trap,' it was like people literally trying to say that like, either that they made it, or that they helped make it, and then they continued to try to steal the flow, try to steal the aesthetic of everything I tried to build.
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