A Quote by Himesh Reshammiya
I agree that my films have flopped, and I have been slammed for my nasal voice, my look, and my dialogue delivery. But every time I got a negative feedback, I went out of my way to work on it.
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It's been kind of extreme - people either love it or they don't like it at all - and I think that's a good thing. It's my first art project where there's not a middle ground. I find it very interesting. But the negative feedback hasn't at all kept me from doing it, obviously. Because I haven't really gotten any negative feedback that I feel is really warranted.
When I'm editing my work, I'm looking for everything to fit, to feel seamless, for every detail or line of dialogue or scene to feel necessary and organic. I approach the writing of others in much the same way while always working to preserve the writer's voice. To allow myself to be vulnerable on the page, I tell myself no one is going to read my work. There's no way I could put myself out there otherwise.
Step one is to take ownership of figuring strengths ans weaknesses out. It starts with writing them down but, to take ownership, you have got to seek feedback of those who directly observe you - this is scary and uncomfortable for many people. It's no fun to hear negative feedback and most people don't want to stick their necks out to give it to you. So, you have to ask.
After' Kaagaz Ke Phool' flopped, which flopped miserably in those days, we immediately started work on 'Chaudhvin Ka Chand.'
If you're a short-seller, that's a cacophony of negative reinforcement. You're basically told that you're wrong in every way imaginable every day. It takes a certain type of individual to drown that noise and negative reinforcement out and to remind oneself that their work is accurate and what they're hearing is not.
I find it's very confusing when one critic tells you one thing and one tells you something completely different. Unless all the critics agree on parts of the play that just didn't work. I have stopped reading reviews, because I find writing is all about courage. You must have courage when you start writing a play and you cannot have the voice - you must write things out. You cannot have the voice of a critic telling you, "That didn't work in that play, you cannot make it work in another play." Every time you do a production, it's an experimentation.
The dialogue is out there, the veil has been lifted. We all know that there's a ways to go. We're still fighting uphill battles, and you just have to hone in on making change, one dialogue at a time, one course of action at a time.
I was really sickened with people passing on comments that I have nasal touch while singing. Naturally, when anyone sings with high-pitched octaves, some notes may slight get in touch modalities with nasal, and that doesn't actually mean 'nasal singing.'
People like my voice, which is funny because all my life my family has joked about my nasal voice.
I feel that nasal spray is a wondrous medical achievement, because it is supposed to relieve nasal congestion, and by gadfrey, it relieves nasal congestion. What I'm saying is that it actually works, which is something you can say about very few other aspects of the medical establishment.
I personally just want to do as many different things as I can do, whether it's comedy, drama, science fiction, horror, narrator... You've got a documentary, I've got a voice. Animated films. Big films, small films.
I think by paying attention to the feedback that you get on Yelp, you can very quickly integrate it into your business... The really savvy folks out there, they don't necessarily take anything negative personally, but use it as constructive feedback and adjust their business.
I can't remember one bad time I had in Boston as far as where I got negative feedback from fans, no matter the first year we lost 18 straight or the following year we won a championship.
We live in a society in which it seems that every space, every moment must be 'filled' with initiatives, activity, sound; often there is not even time to listen and dialogue... Let us not be afraid to be silent outside and inside ourselves, so that we are able not only to perceive God's voice, but also the voice of the person next to us, the voices of others.
I left my native place to come to Mumbai, got routinely cheated, was given bad words, had phones and doors slammed on me. All my work and time was going down the drain. I didn't get credit for some work I did.
What people generally tell you is, "We'll all agree," and then once you sign, they expect to get their own way. I think it was a bit of a surprise that I was still very headstrong even after signing. I wasn't so happy to get a deal that I would agree to anything. In fact, I disagreed on most things and got my way on most things, which I think was to all of our benefit. But they wanted the record to come out, and I wanted the record to come out, so we had to work together.
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