A Quote by Himesh Reshammiya
In 'Radio,' I play Vimesh, a 34-year-old guy who solves others' problems on the radio, while he himself undergoes turmoil in his life with his wife deciding to divorce him. I think the audience will relate to the character.
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A 99-year-old man is filing for divorce from his 96-year-old wife, making them the world's oldest divorced couple. It's got to be weird when a divorce lawyer is fighting for your kids to get custody of you.
No man, however enslaved to his appetites, or hurried by his passions, can, while he preserves his intellects unimpaired, please himself with promoting the corruption of others. He whose merit has enlarged his influence would surely wish to exert it for the benefit of mankind. Yet such will be the effect of his reputation, while he suffers himself to indulge in any favourite fault, that they who have no hope to reach his excellence will catch at his failings, and his virtues will be cited to justify the copiers of his vices.
Whoever influences the child's life ought to try to give him a positive view of himself and of his world. The child's future happiness and his ability to cope with life and relate to others will depend on it.
No man could bring himself to reveal his true character, and, above all, his true limitations as a citizen and a Christian, his true meannesses, his true imbecilities, to his friends, or even to his wife. Honest autobiography is therefore a contradiction in terms: the moment a man considers himself, even in petto, he tries to gild and fresco himself. Thus a man's wife, however realistic her view of him, always flatters him in the end, for the worst she sees in him is appreciably better, by the time she sees it, than what is actually there.
His readiness to undergo persecutions for his beliefs, the high moral character of the men who believed in him and looked up to him as leader, and the greatness of his ultimate achievement - all argue his fundamental integrity. To suppose Muhammad an impostor raises more problems than it solves. Moreover, none of the great figures of history is so poorly appreciated in the West as Muhammad.
Kazan was an old friend, I met him in 1938. He picked up radio jobs for eating money, so I met him on a couple of radio shows. Later on I was in a play he directed.
I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.
The band name came about when the original vocalist died when a huge radio fell on his head. He trotted about for a while dancing with the radio on his head, before he died of asphyxiation and blood loss. *Laughs* it was hilarious
Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.
On the plane, an eight-year-old with an excess of testosterone keeps running across my feet. Finally I grab him by his T-shirt and say, very sweetly, 'Listen, darling, if you don't stop trampling me I'm going to make you sit on my lap while I tell you my entire life story. Including a lot of details about drug rehab and my divorce.' He goes back to his seat.
The last time I spoke with Robert was back in May. When his wife was murdered, I talked to several radio stations in defense of him because I know how Bobby Blake really is, and as far as I'm concerned, there's no murder in his heart.
The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
When anyone is going wrong, it is a mistake to warn him not to go further. It is also a mistake to leave him alone. The proper course is to call his attention to something better, and frame our conversation in such a way that he becomes wholly absorbed in the better. He will then forget his old mistakes, his old faults and his old desires, and will give all his life and power to the building of that better which has engaged his new interest.
A professional entertainer who allows himself to become known as a singer of folk songs is bound to have trouble with his conscience provided, of course, that he possesses one. As a performing artist, he will pride himself on timing and other techniques designed to keep the audience in his control ... his respect for genuine folklore reminds him that these changes, and these techniques, may give the audience a false picture of folk music.
Good work is no done by "humble" men. It is one of the first duties of a professor, for example, in any subject, to exaggerate a little both the importance of his subject and his own importance in it. A man who is always asking "Is what I do worth while?" and "Am I the right person to do it?" will always be ineffective himself and a discouragement to others. He must shut his eyes a little and think a little more of his subject and himself than they deserve. This is not too difficult: it is harder not to make his subject and himself ridiculous by shutting his eyes too tightly.
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