A Quote by Himesh Reshammiya

Whatever my singing aspirations are, you'll hear them in 'Aap Ka Suroor.' It's no run-of-the-mill album. — © Himesh Reshammiya
Whatever my singing aspirations are, you'll hear them in 'Aap Ka Suroor.' It's no run-of-the-mill album.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
There was just a moment when I fell in love with singing, probably when I started listening to Ben Howard and his album 'I Forget Where We Were.' I fell in love with that album, and that album really made me fall in love with singing.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.
A lot of people put out an album, and you never hear from them again. They're working a day job or doing whatever to survive through life.
I'll never forget when we played Shepherd's Bush in London. We played 'I Run To You', and we put the mic out for the last chorus, and you could hear them singing the chorus with the beautiful accent that they have.
As long as someone wants to hear my music, I don't care if it's a ringtone or the album or whatever.
When you're singing songs about love and sex, you want everyone to think you're singing to them. Whether you're a boy, a girl, a woman, a man - whatever you're into, I can be that.
The one thing I find about singers in the business is that they often don't get the right education. I hear a lot of them singing and when they get to 30, 40 years old they wont be able to sing because they are not properly trained. A lot of people singing from their throat instead of singing from their diaphragm.
Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
I don't have a life of my own. I've put myself and my life at the service of the people. If necessity dictates I run, I run.. go to jail, I go to jail.. die, I die.My private aspirations are exactly the general aspirations of the people.
Ninety-eight percent of the singing I did was private singing - it was in the shower, at the dishwasher, driving my car, singing with the radio, whatever. I can't do any of that now. I wish I could. I don't miss performing, particularly, but I miss singing.
I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.
To me, singing is basically a form of prayer. I get this great joy when I`m singing - whatever I`m singing. I missed it when I left it.
Private ownership of land is the nether mill-stone. Material progress is the upper mill-stone. Between them, with an increasing pressure, the working classes are being ground.
Creativity is the key for any child with dyslexia, or for anyone for that matter. Then you can think outside of the box. Teach them anything is attainable. Let them run with what you see is whatever they need to run with.
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