A Quote by Hiro Mashima
I remembered... It was the colour of your hair. Farewell...Erza. ~I'm Jellal Fernandez. What about you, Erza?(I'm Erza. Just Erza.) Well, that's kind of sad. Ohh!(Hey...What are you doing?!)It's such a pretty scarlet colour...I know! We'll give you the last name of Scarlet!(Erza...Scarlet) It's the colour of you hair! Nobody will ever forget that!~(Jellal...)
Related Quotes
Such beautiful scarlet hair....Why don't we call you 'Erza Scarlet'? It's the color of your hair, that way, I won't forget it!" -Jellal Fernandes
Come on, Jellal! You can't let yourself get taken away from you! For Erza's sake! So come here! We'll be with you too! We're on the same team, right?! Jellal!
I had an idea for a story about a young woman who was living with people who were different, not just superficially different - such as hair colour, or eye colour, or skin colour - but different in some significant way.
Trust your feelings entirely about colour, and then, even if you arrive at no infallible colour theory, you will at least have the credit of having your own colour sense.
If you want to change your hair colour or your nail colour or things like that its fine, but you have to realize the dangers and repercussions of surgery.
There needs to be more film directors of colour. They bandy about the word 'diversity' a lot, but when I say 'of colour,' I mean Asian, black - I mean people of all colour. We need to have those voices given the opportunity, not told that their films will not be distributed or will not sell well abroad.
The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
For me, pink or lilac is the colour of innocence, it's the colour of love, it's the colour of everything happy.
A study in scarlet, eh? Why shouldn't we use a little art jargon? There's the scarlet thread of murder running through the colourless skein of life, and our duty is to unravel it, and isolate it, and expose every inch of it.
The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour that can't be said in black and white... Those who say that colour will eventually replace black and white are talking nonsense. The two do not compete with each other. They are different means to different ends.
The Transportation Security Administration has probably converted more people to Islam than any religious order in the last 100 years. It doesn't matter how you choose to self-identify or even if your religiosity is private; when you get to the airport you know how you're going to be treated based on your name. Possibly also because of the colour of your skin and the colour of your passport.
Aria: I went to Hollis. Because I was looking for...you know. Her. She was teaching an art class, so I ran inside, grabbed a paintbrush, and painted a scarlet A across her chest. You know, like that woman in The Scarlet Letter? It was awesome. She didn't know what hit her. And then I said, 'Now everyone will know what you've done'. Ella: Do you realize that Hester Prynne is supposed to be a sympathetic character?
Sometimes I can see colour without opening my eyes. I saw that Billy's heart was no colour and every colour. Like water or diamonds or crystals, it's pure and reflects the light.
This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.
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