A Quote by Hiro Murai

At the end of the day, if you don't identify with the main characters, no television show will work. — © Hiro Murai
At the end of the day, if you don't identify with the main characters, no television show will work.
Television series always have a lot of characters because you want people to identify with someone on the show, who will be your eyes.
I'll tell you what I really enjoy. We all go to the movies, we all watch television, we know what they're about, how they work. When the main character is a cop or a spy, it's very exciting, but I also very much enjoy when the main characters are nobodies - a trucker.
That's the great part about television: It's alive, and it changes and evolves with the way the characters evolve. Stuff that happens to you in your life when you're shooting a TV show, you have to be careful, because it might end up in the show.
In every soap, at the end of the season, relationships end and people leave the show. You look at characters and evaluate whether they're great characters or not, and whether they have a future in the show. And we did all of that.
TV is designed to keep characters in place for years on end. The best example is 'M*A*S*H:' You have a three-year police action in Korea, and they stretched that out to eleven seasons. It was a great show, but when you think about it, a weird unreality overtakes a television series. You see the actors age, and yet the characters don't.
We're paid to care. That's what actors get their money for. But the main goal is not for the actors to be frustrated at the end of the show, but for the audience to be throwing their shoes at the television set. That's what we're trying for.
I guess when you take a look at the book 'Atlas Shrugged,' I think most people always like to identify with the main character - that would be John Galt. I guess I identify with Hank Rearden, the fella that just refused until the very end to give up.
I mean, I work in television, so every day is like the end of your career and then each day is a new one.
You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.
That's the great thing about a series: you're driving to work, and you have an idea for a story for your characters, and you can go into work, and it's gonna be a television show. I mean that's what's great about the job.
The main thing to do at the end of the day is to write in a gratitude journal all the things that you are grateful for that happened that day. You will invite even more abundance into your life.
It was easy for viewers to identify with our show. The characters were believable.
The main characters for 'The Seer and the Sword' made an appearance one night and then haunted me for over five years before I began to write them down. Does that count as inspiration? For me, characters tend to show up, stay on to help with the work of writing their stories, and then occasionally deign to visit after a book is finished.
The life story of the five main characters and the secondary characters around them allows Jonathan Franzen to present the full impetus and extent of the world picture of the West at the end of the 20th century.
It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
Even if tomorrow will be the end of the world, people will still continue to watch television for whole day!
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