A Quote by Hiro Murai

People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.
What I love to do is paint people's faces, y'know, their eyes. Because you want to find that emotion, see what's going on behind their eyes.
I am interested in shows that are not out-and-out gag fests: you see the truth of a broken heart behind them. That is what life is like: it's really funny, you see funny things as soon as you step out of the room, but underneath that is a whole bag of broken hearts. It's that real pain and that real hilarity that makes life so intriguing.
If we are to love our neighbors, before doing anything else we must see our neighbors. With our imagination as well as our eyes, that is to say like artists, we must see not just their faces but the life behind and within their faces. Here it is love that is the frame we see them in.
Empirical sciences prosecuted purely for their own sake, and without philosophic tendency are like a face without eyes.
I cannot stress enough that the answer to life's questions is often in people's faces. Try putting your iPhones down once in a while, and look in people's faces. People's faces will tell you amazing things. Like if they are angry, or nauseous or asleep.
It all goes back to the players putting everything out on the pitch. They commit to the game, so the support gets behind them straight away. They don't see half-hearted performances, they don't see people that are not running around. They see players competing, putting in the effort and enthusiasm.
Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
Talked my head off Worked my tail off Cried my eyes out Walked my feet off Sang my heat out So you see, There's really not much left of me.
Do you understand now why books are hated and feared? Because they reveal the pores on the face of life. The comfortable people want only the faces of the full moon, wax, faces without pores, hairless, expressionless.
When you are on stage, you don't see faces. The lights are in your eyes and you see just this black void out in front of you. And yet you know there is life out there, and you have to get your message across.
The front door shut, leaving Alec sitting in the half-lit garden, alone. He closed his eyes for a moment, the image of a face hovering behind his lids. Not Jace's face, for a change. The eyes set in the face were green, slit-pupiled. Cat eyes.
It's about trying to step out of being patterned and closed off and reclusive, which I've always had a problem with. It's about attempting to be normal and just go out and be around other people and hang out. I have a tendency to sometimes be pretty closed off and not see people for long periods of time and not call anyone.
Everyone has a mirror face that's so different from their natural face. And I think it's interesting, seeing the way people want to be viewed when they're putting themselves together.
On camera, the audience can see your eyes close up - they can see behind your eyes - and when you're on stage, you need to make sure that the person sitting in the back row can feel what's happening behind your eyes, even if they can't see them. Having a live audience is exhilarating and exciting all on its own, but you know, it is quite different.
boredom has a tendency to bring out the worst in people's faces.
I cannot stress enough that the answer to a lot of your life's questions is often in someone else's face. Try putting your iPhones down every once in a while and look at people's faces.
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