A Quote by Hiro Murai
Even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little.
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I don't know why, but even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little. That exact moment when you're about to realize that this might be a dream is my favorite thing.
I definitely have recurring dreams. My dreams are crazy and surreal, which is why I appreciate Carl Jung, 'cause I feel that there has to be some kind of correlation. My dreams are like surreal sci-fi thrillers, and I don't spend time watching stuff like that. I never grew up on stuff like that. I've always just had very, very vivid dreams. This is awful to say, but, lately, I've been dreaming about witnessing murder a lot. What does this mean?
I like movies that pop, that have a little bit of candy on, that freedom to have a little bit of extra fun, but are rooted in real behaviour. Rooted in cause and effect, never violating reality.
You write something and there’s no reality to it. You can’t inject it with any kind of reality. You have to be patient and keep going, and then, one day, you can feel something signaling to you from the innermost recesses. Like a little person trapped under the rubble of an earthquake. And very, very, very slowly you find your way toward the little bit of living impulse.
Screenplays are not writing. They're a fake form of writing. It's a lot of dialogue and very little atmosphere. Very little description. Very little character work. It's very dangerous. You'll never learn to write.
I always like when you start to use something with a little less reverence. You start to use it a little carelessly, and with a little less thought, because then, I think, you're using it very naturally.
Words do not express thoughts very well. They always become a little different immediately after they are expressed, a little distorted, a little foolish.
My parents say that even as a very, very little kid, the way that I acted was dramatically different from other little kids.
I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.
It takes a little time to create a gap between the witness and the mind. Once the gap is there, you are in for a great surprise, that you are not the mind, that you are the witness, a watcher. And this process of watching is the very alchemy of real religion. Because as you become more and more deeply rooted in witnessing, thoughts start disappearing. You are, but the mind is utterly empty.
I was always a little adult. Even as a little kid, I just couldn't understand why I was surrounded by all these kids. I took things very seriously.
I look upon 'A Little Bit of Luck' as a very bizarre, happy, surreal memory.
I will say that 'Riverdale,' yes, is a little more sensationalized. It's based on comics, and it is a little bit more dramatic and a little bit more made for TV, made for teens. For '13 Reasons,' we tried hard to make it as real as we could, as close to reality as possible. No corners were cut; everything was very raw and very real.
We can't start with big thinking, we have to approach it little by little. Sustainability isn't going to become big right away. Each day you give yourself a little bit more responsibility. It's not ideal, but that's the only way things change, we can't just keep ignoring it.
I'm short and I have a big appetite. I can't do nothing just a little. It's the same with anything I do. It's very hard for me to love a little, have sex a little, to eat a little. I like to do everything, and I like to do it all the way that I want to do it.
Blackouts can be fun if approached with the right mindset. You just can't sweat the fact that you've lost a small portion of your life for all eternity. Occasionally, little bubbles of memory will float up like surreal Mylar party balloons at unexpected times throughout the net day and start piecing together a colorful, if incomplete, version of reality.
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