A Quote by Hiro Murai

I was fortunate to work on a few episodes of 'Barry' right before we shot 'Atlanta.' That was where I got my training wheels for action coverage. — © Hiro Murai
I was fortunate to work on a few episodes of 'Barry' right before we shot 'Atlanta.' That was where I got my training wheels for action coverage.
Hendrix was back there with a few of the others who were like my training wheels ... hearing him as a teenager taught me to look at the guitar in a different way - and how to tap into that thing inside of me that was already leaning toward improvisation. You learn other players' licks at first; then you take off the training wheels and start using the licks as building blocks to make your own thing. That's how influences work. somewhere in whatever I do, there's a little bit of Hendrix - plus about a hundred others
When I was traded from the Oakland A's to the Atlanta Braves before the 2005 season, a childhood dream was realized. I grew up a Braves fan just a few hours south of Atlanta, and it was hard for me to believe that I was going to actually play for the Atlanta Braves and legendary manager Bobby Cox.
Because I do so many action-oriented films, I started working with stunt people doing fight training, then I found it to be just great exercise. Also I like to be fit, so I've continued on with fight training. Right before I got to do 'Conan,' I was fighting off four guys. Its great fun. And strange.
I have a song called 'Training Wheels,' and it's about being in love with someone and taking it to the next level by taking off the training wheels.
We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
I've had the pleasure of working in the U.K. a few times before. I've shot a few movies there before. One of them was Neil Simon's 'London Suite,' which was based on his play. I also shot a film in Dublin, a little film with Bernadette Peters, called 'Bobbie's Girl.'
There is no point in appearing in just a few episodes. If I do a show on television, it won't be for a few episodes only.
I think Barry Bonds was in a unique situation given his injuries from a year ago, the fact that he played in just 14 games. Even though I spoke to Barry in December and he was enthusiastic and excited about the possibility, I think the closer he got to the reality of spring training, and as he got himself in shape for the regular season and the San Francisco Giants, he felt like it may be too much of a challenge to try to push his body at this point in his career.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
Barry Levinson is such a deceptive director, because he seems really lackadaisical. I'd never worked with him before, and I almost got the impression that he didn't really care that much because he was so laid-back. Sometimes we'd finish filming hours before the day was over, which is just unthinkable in any other film experience I've had. I couldn't believe that Barry had the passion for it.
Robert Easter Jr. is a tough fighter who I have to take very seriously and I do, and that's why we did a nine-week training camp and got the great sparring, got the right training, the right diet, everything.
Before there was Ronald Reagan there was Barry Goldwater, and before there was Barry, there was National Review , and before there was National Review there was Bill Buckley with a spark in his mind.
I taught in Belize for a year, and before I left, my parents were birddogging me to get health care coverage. So what I did was, I reenrolled in college, and then got coverage through my college.
You know what really makes this embarrassing? The other day the president said the leaders in Iraq are 'ready to take off the training wheels.' That's what he said, 'take off the training wheels.' Then he goes out and falls off his bicycle. And they wonder why the rest of the world doesn't take us seriously.
Does anyone remember who shot Kubrick's movies? Do you remember who shot David Lean's movies? No one remembers who shot 'Dr. Strangelove' or 'Barry Lyndon.'
I was playing this sort of asshole actor [in The Jenny McCarthy Show]. And we shot the pilot, and it was a guaranteed go. It was going to be 24 [episodes] on the air. No questions from NBC. And we shot the pilot, and I was in Toronto doing a movie, and I got a call saying they cut the character, that I was off the show.
This site uses cookies to ensure you get the best experience. More info...
Got it!