A Quote by Hiro Murai

'Atlanta' changes genres a lot per episode. — © Hiro Murai
'Atlanta' changes genres a lot per episode.
A lot of things happened in a lot of places. And to see how well it was handled in Atlanta. There are a lot of reasons for Atlanta being a special town in the Civil Rights era.
What I've learned in my career as an actor is that you're only as good as your collaborators. The process is many things, but it is wholly collaborative, particularly with something like 'Westworld,' which is a 10-episode-per-season gig, and we're just now on the 7th episode.
I live in Atlanta because Ludacris lives in Atlanta. And because T.I. lives in Atlanta and because Lil Wayne comes to Atlanta to hang out all the time and because Rick Ross' engineers are in Atlanta.
Sometimes we need to make changes in the XI as per the conditions, and as per the player's form.
In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
Atlanta is not the South. Atlanta is not the South, gotdamn it, when you go to Atlanta what does your clock say? When you get off the plane from Los Angeles or Texas, what time do it be over there? Atlanta is East Coast time. You niggas ain't in the South.
I love Atlanta. I feel really at home in Atlanta. We spent a lot of time there. But Athens is like home to me.
I like Atlanta a lot but no place beats my house. I just like the Black success in Atlanta. I loved being surrounded by that.
Our royalty statement has been minimal and menial. Really. We don't collect more than a per cent of a per cent of a per cent of a per cent of a per cent of a per cent of a per cent. We get maybe the seventh of 1 percent.
I still hope that more people can create art, even though artistic genres may never be the most popular or money-making genres. But the thing is, I think art is more long-lasting. It stays in people, and it changes them.
I did the original Robotron game back in 1982. To me it's still one of the classic 2D games as far as action and decisions per second, and kills per second, and explosions per second. It's super-frenetic and totally involving. There's been a lot of games since, a lot of Robotron sequels. A lot of them haven't even captured the magic of Robotron, much less moving things forward.
Bollywood is such a space where you get to work with so many genres. Genres being pushed isn't the way of looking at it. In fact, I think Indie needs to be given a lot more focus or recognition.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I'm glad to always have that connection to a part of the country that doesn't really have anything to do with what I do. That said, there seems to be a lot of production drumming up in Atlanta these days. It would be kind of a dream come true to go back to Atlanta to work on a movie, but we'll see what happens.
By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas.
I wrote Steve Carell's last episode. I think it was a really good episode, but there's always a tension between what's good for the series and what's good for an episode, because the more closure you put on an episode, the more significant feeling it is.
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