A Quote by Hiro Murai

'Atlanta' is Wild West-y - every corner of the city is trying to get by under its own rules. There's no single narrative. At the outer edges, the overgrown parking lots and project blocks, the city is a few yards away from apocalypse, and if you slow down, it could engulf you.
'Atlanta' is really trying to put that out there: these are just the lives of these people in this city, and this city is its own breathing, living thing, too. So how do you navigate through life, especially with dreams and aspirations in a world that tells you that you don't deserve to have them.
Rules about public sanitation are a simple and familiar example. Without them, a city can't be a healthy place to live; but these rules don't just happen. The rules for a city are different from the ones for a village, but as a village slowly gets bigger, a city may be stuck with the rules of the village.
This is the city of the underdog champion, so they want to see the next person out of their city blowing up and making I feel like, man, Atlanta's a big city, but it's so small.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
El Paso is the final Wild, Wild West city.
A city is where you can sign a petition, boo the chief justice, fish off a pier, gaze at a hippopotamus, buy a flower at the corner, or get a good hamburger or a bad girl at 4 A.M. A city is where sirens make white streaks of sound in the sky and foghorns speak in dark grays. San Francisco is such a city.
I say to people that Los Angeles is a city of America's hope and its promise. It's a city where we come from every corner of the Earth here to make the American dream happen.
There are a lot of rules in cities that were designed to protect a particular incumbent, but not to move a city's constituents, a city's citizens, and the city itself, forward. And that's a problem.
Pittsburgh was a wonderful place to grow up - diverse and complex, one could go from one culture to a completely different one in just a few blocks. It was a whole world in one city.
I'm really just tryna bring it home for my city, I'm trying so hard to be the best I can be on every record I do, every feature I do and every different city I go to.
Budapest is a prime site for dreams: the East’s exuberant vision of the West, the West’s uneasy hallucination of the East. It is a dreamed-up city; a city almost completely faked; a city invented out of other cities, out of Paris by way of Vienna — the imitation, as Claudio Magris has it, of an imitation.
In New York City, they have their own way of doing things. Every city and every region should do its own thing.
From my first days in Washington D.C., where I rolled a whole four downtown blocks without seeing a single shop, cafe, bar or restaurant I could not access, to the beautifully accessible buses in New York City, I was in heaven.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
When you go away for a month on tour, there's only so much information you can take in. You're traveling city by city every day. I think five of the 30 days you actually keep with you and the rest becomes mush. And when you get back you're really mushy.
At Guantanamo Bay, we could create a West Berlin, a free small city within the Communist nation that could trade freely with the U.S. and elect its own officials.
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