A Quote by Hiro Murai
Whenever you're making something, you're hoping that it connects with somebody in some big way, but I'd have to be crazy to expect that.
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I can't say what people use the experience of listening to songs for, but I would never tell somebody what it is supposed to mean. That defeats the purpose of making it. Hopefully, whoever connects with it connects with it in their own way, and it can mean whatever it is supposed to mean to them.
I still got a lot to learn about fashion. I'm somebody who experiments, somebody who's finding their way. I'm young, and I don't really know if there's any guide to style in what's right and what's wrong. I just dress as an extension of how I'm feeling. If I feel crazy, then I'm gonna rock something crazy.
That's the kind of visual that you're trying to attract - something that in some way or another, connects you to what's happening there in a realistic way.
I love making music, but if you make something that inspires somebody else to make something, without getting too airy-fairy, you've contributed to the zeitgeist in some way, and that's just an amazing feeling.
Whenever I sat down to write something it was never anything I took lightly. It was something that I'd want you, somebody in Japan, and somebody [over there to hear it].
If the big banks expect to buy influence when they give money to favored think tanks, then the public has a right to know. If the big banks don't expect to buy influence and are merely making charitable contributions, then their shareholders have a right to know. Either way, there's no excuse for keeping these payments secret.
Loving photography and wanting to be a painter, it all ended up in the process of filmmaking. It's strange professionally be to connected because it connects you to architecture, it connects you to painting, it connects you to writers, to actors. It connects you to really all of the arts.
Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
Love is the way I feel for you, the way you fill something inside me whenever you so much as walk into the same room. Sometimes love is quite, lingering in the background until you least expect it. But love it always there for you
With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.
I think one of my big skills is making unlikable characters likable or real in some way. No matter how hateful people are, there's always something vulnerable about them, or something that you can understand or relate to. I think that's my job as an actress - to find those.
If something good was happening in my life, I'd call my mom to let her know. If something bad was happening, she'd be somebody whose advice I would seek out. We had a very good relationship, but she drove me crazy, all the time. But, she drove me crazy in a loving way.
That ain't nothing to be proud of, man. I'm not going to say, like, I'm an angel. I've definitely did some things. I just... I don't know... it's kind of corny to do that sometimes, you know? I mention it a few times, but I don't go crazy with it. I ain't a coke rapper, na'mean? I wasn't no big drug dealer neither, B. You know what I mean? I made enough to get fly, keep a little stack in the crib... couple of stacks in the crib. But I wasn't crazy with it. So that s**t ain't... I always worked for somebody. I got some other n***a rich.
I think the only way I could make something fun and big is if I don't expect it to be.
Whenever somebody has an idea for a business and experiences quite a bit of success, you can naturally expect the government to step in and screw it up.
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of disappear without a trace. There's no accounting for it. Something connects, or something doesn't.
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